下女2010
地区:英国
  类型:浪漫
  时间:2025-07-15 10:58:53
剧情简介

故事讲述叶惠与丈夫本来共同经营着继承下来的澡堂家业,下女但有一天丈夫突然无缘无故失踪,下女不知所措的叶惠决定继续经营澡堂,一个名为堀的男人进入到她的生活。与此同时,叶惠在朋友的推荐下雇佣了一名侦探寻找着丈夫的下落。

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明星主演
自然主义合唱团
游学志
乌仁娜
最新评论(297+)

白虹

发表于8分钟前

回复 :98岁的陈玉平(Grace Lee Boggs)是一位生活在底特律的作家、倡权者和哲学家。这是一部关于她的思想、倡权行动和生活的纪录片《美国革命:陈玉平的演进》(American Revolutionary The Evolution of Grace Lee Boggs)。陈玉平出生于1915年,父母是移民,经营中餐馆。陈玉平从小生活舒适,但感到社会需要变革。她毕业于伯纳德学院,后在布林莫尔学院攻读哲学,1940年获得博士学位。由于少数族裔在当时美国社会的境遇,毕业后,她在芝加哥大学的哲学图书馆谋得一份低薪工作。她在租住的地区无意中见到非裔市民抗议,从此关注和参与非裔美国人争取平等权利的民权运动。后来,她到有大量汽车工人的底特律,和汽车制造工人和工人权益倡权人士James Boggs结婚。陈玉平和新婚丈夫度蜜月时,不得不在车里过夜,因为当时的种族隔离法令她的非裔新婚丈夫无法入住汽车旅馆。她成了非裔社区的一分子,参与当地的民权运动。陈玉平的思想深受黑格尔的辩证法和马克思的社会发展理论的影响。她的思想不断地演变,如今,她倡导非暴力,在家门口的草坪上放着“不要战争”的牌子。她认为,不应该将希望寄托在领导人身上,变化应该从自身开始。年届高龄,她还组织“底特律暑假” 和“社区花园”项目,在一个衰落的城市里致力于社区的重建。


吕珊

发表于9分钟前

回复 :Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.


张信哲

发表于3分钟前

回复 :被影迷奉为爱情圭臬的《爱在黎明破晓前》、《爱在日落黄昏时》终于迎来了第三部《爱在午夜降临前》。第一部中美国青年杰西(伊桑·霍克 Ethan Hawke 饰)坐火车邂逅法国女孩赛琳(朱莉·德尔佩 Julie Delpy 饰),两人在维也纳度过难忘一晚;9年后的第二部,杰西已成 为作家,他的小说让他和赛琳在巴黎重逢,两人于日落前再续前缘。如今又一个9年过去了,杰西与赛琳已经一起生活并有了一对双胞胎女儿,对人生和爱情也有了更多感悟。《爱在午夜降临前》就是撷取他们在希腊伯罗奔尼撒南部小岛度假的最后一天。导演理查德·林克莱特和两位主演就像与影迷在赴一个每9年的约会,尽管三部曲的制作跨度长达18年,但故事情节几乎可以写在一张纸的背面。电影惯于只用人与人的对话讲述故事,两位主人公或行走在静谧的村落,或悠然坐在露台和餐桌前,不断的讨论着文学、爱情、生活、两性等话题。然而与前两部不同的是,随着他们终于走到一起,爱情的浪漫也开始被生活的日常琐碎和彼此相处的实用性取代,吵架拌嘴也随之而来。如何在“婚姻”的面纱下维持爱情?电影将18年的感情铺开,再徐徐化解那些小小的怨念,呈现爱情最真实动人一面。


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