剧情简介
我不知道……這世上除了奴隸和家畜外……還有在那以下的世界……一切，国产是從一封簡訊開始的。裡面的內容是早已認不出原貌的同伴的模樣以及被硬拔出的兩對肋骨……。以設下仙人跳勒索金錢的龍夫，国产在一次恐嚇取財中惹到流氓，從此之後，龍夫的生活便一直往黑暗的深淵墜下，恐怖、恐懼的心情更是如影隨形！帶給他這一切的顫慄的〝斑馬〞到底是什麼人！？直到遇到那個男的之後……。
国产免费网站
我不知道……這世上除了奴隸和家畜外……還有在那以下的世界……一切，国产是從一封簡訊開始的。裡面的內容是早已認不出原貌的同伴的模樣以及被硬拔出的兩對肋骨……。以設下仙人跳勒索金錢的龍夫，国产在一次恐嚇取財中惹到流氓，從此之後，龍夫的生活便一直往黑暗的深淵墜下，恐怖、恐懼的心情更是如影隨形！帶給他這一切的顫慄的〝斑馬〞到底是什麼人！？直到遇到那個男的之後……。
合而为一合唱团
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
郭虔哲
回复 :在10世纪60年代的波兰，演员卡里娜·谢鲁斯克红极一时。然而，在拒绝一名官员过后，她需要直面对方以摧毁她的事业而使出的威胁手段
回复 :The definitive, adrenaline-soaked story of the birth and boom of the most extreme sport on the planet Freestyle Motocross.
