洛客班
发表于5分钟前回复 :A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.- JohnHowardReid, imdb
金培达
发表于3分钟前回复 :高中女生冈村妮诺(饭丰万理江 饰)虽然渴望成为一个开朗乐观的女孩,然而现实生活中她始终无法与人顺畅自如交往。除了父母外,似乎只有那站在肩头假装标本并被她称为“老师”的鹦鹉(高桥茂树 配音)才是唯一说话对象。紧邻妮诺家的住宅里,住着一个帅气风趣的男孩,那就是与妮诺就读同一所学校的明星学生吉良悠二(中川大志 饰)。即便两人住得如此至今,但是性格有着巨大反差的两个人却从来没说过一句话,妮诺更不敢奢望与对方发生点儿什么。某天,妮诺从父母(安田显 & 三浦理惠子 饰)口中得知,吉良居然只剩下一年的生命了!紧接两人竟然阴差阳错成为了情侣。最后的365天,妮诺陪伴吉良同学一同走过……本片根据みきもと凜的同名漫画改编。
孙颖
发表于5分钟前回复 :第43集《寅次郎的休息日》(Tora San takes a vacation)导演:山田洋次原著:山田洋次剧本:山田洋次、朝间义隆主演:渥美清、倍赏千惠子、后藤久美子制作:松竹影业出版日期:1990年12月22日片长:105分钟票房:208万人剧情满男上了大学,离家很远,可是阿博却不让他骑摩托往返。长大的满男不希望父母的唠叨,要独立地处理自己的事情。这时他特别想念舅舅阿寅。阿泉从名古屋来看望爸爸,可是扑了个空,爸爸跟随另一个女人去了对方的家乡日田。阿泉心中一直有一个梦想,希望靠自己使父母重归于好。在东京,阿泉见到了回家的阿寅,舅舅带着她去茶馆,听她讲述自己的故事。失望之余,阿泉决定去找父亲,满男自告奋勇陪她一同上路。同时到达的还有阿泉的妈妈,陪她来的就是阿寅。在这里,阿泉看到了另一个叫杏子的女人,他让父亲自愿离开都市来到乡村,父亲生活得的确很幸福,这使阿泉打消了重新撮合父母的想法。