小镇执法官威尔·凯恩（加里·库柏GaryCooper饰）在卸任的当天，春宫同未婚妻艾米（GraceKelly饰）举行了婚礼，春宫两人预备开始蜜月旅行的当口，小镇迎来了三位不速之客，他们是皮尔斯、科比和本，三人在火车站等候五年前被威尔抓获的恶棍弗兰克·米勒。预感小镇将被卷入一场血腥仇杀的人们纷纷躲避，或者力劝威尔离开，但前任执法官执意留下，并开始在镇上寻找帮手，岂料不得升迁的员警哈维、当年审判弗兰克的法官等人全部与此事撇清了关系，新婚妻子亦不支持威尔的坚守，孤立无援的威尔只得拿起自己的枪战斗……\r这部影片中的时间与真实世界中的时间步调一致。本片获1953年奥斯卡最佳男主角奖等十余项专业褒奖。
吴炜
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
叶世荣
回复 :苏格兰黑帮领袖保罗·菲尔斯（Paul Ferris）的生平故事。
云镁鑫
回复 :方力（楼云飞 饰）和其父方子良（万梓良 饰）因为觊觎毕哥（文熙 饰）家祖屋，和其提出一场爱情对赌。内容为：限定三个月内，毕哥成功帮助当地一富家千金萌萌（范薇 饰）走出感情隐瞒并且收获一段新的恋情为输赢。究竟谁赢谁输还未曾得知，文熙饰演的毕哥能够赢得方力， 这一切都吊足了影迷们的胃口。而女主角贝贝（沈璐 饰）至始至终从出谋划策到忍痛割爱也为她与男主角毕哥的爱情做了赌注。
