改编自法国片《逃犯》(LES FUGIFIF'S)的抢银行喜剧,日本将造物弄人的主题透过结构巧妙的故事发挥得淋漓尽致。尼克·诺尔蒂饰演刚出狱的大盗,日本他在银行遇上乌龙劫匪马丁·肖特,竞被劫持为人质,导致警方误以为他重操旧业,不得不展开逃亡。相处之下,诺尔蒂发现肖特其实有小人物的辛酸故事,并且跟他的小女儿莎拉·罗露产生了一段温馨的感情,从而也溶化了他冷傲的心。
改编自法国片《逃犯》(LES FUGIFIF'S)的抢银行喜剧,日本将造物弄人的主题透过结构巧妙的故事发挥得淋漓尽致。尼克·诺尔蒂饰演刚出狱的大盗,日本他在银行遇上乌龙劫匪马丁·肖特,竞被劫持为人质,导致警方误以为他重操旧业,不得不展开逃亡。相处之下,诺尔蒂发现肖特其实有小人物的辛酸故事,并且跟他的小女儿莎拉·罗露产生了一段温馨的感情,从而也溶化了他冷傲的心。
回复 :本片由加泰罗尼亚导演卡拉·西蒙执导,讲述了一个传统乡村家庭中桃子采集活动日渐式微的故事,当有人提出要将桃树砍伐并安装太阳能电池板以此适应新的方式时,这家人开始了捍卫自己土地的“战斗”。本片以使用非专业的加泰罗尼亚语演员为特色,于第72届柏林国际电影节主竞赛单元中作世界首映,并获颁最高荣誉金熊奖。
回复 :Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
回复 :女主角克拉的父亲某日追逐受伤的麋鹿而潜入树林,自此消失无踪父亲消失后,母亲更因吸毒过量致死,十二年后,克拉和弟弟回到那片树林寻找记忆,竟然发现了这个埋藏于未来未知世界的神奇秘密。一个盘旋于古老与文明的战争,眼看即将展开…