剧情简介
小女孩Nakaw 的妈妈为了工作必须留在台北，回档合集相依为命的外公却身子不再健朗，回档合集同时部落族人因「卖地换进步」的开发计画而互相对立。究竟盖饭店、提供就业机会，是不是部落生存的唯一出路？取材自共同导演勒嘎? 舒米的母亲舒米? 如妮推动水梯田溼地复育的真实经历，向这片土地上每一位 默默付出、坚持理想的唐吉诃德致意。
回档1990合集版
小女孩Nakaw 的妈妈为了工作必须留在台北，回档合集相依为命的外公却身子不再健朗，回档合集同时部落族人因「卖地换进步」的开发计画而互相对立。究竟盖饭店、提供就业机会，是不是部落生存的唯一出路？取材自共同导演勒嘎? 舒米的母亲舒米? 如妮推动水梯田溼地复育的真实经历，向这片土地上每一位 默默付出、坚持理想的唐吉诃德致意。
回复 :因父亲昏迷从首尔来到哥伦布的金，巧遇当地少女凯西，两人展开城市建筑巡礼，互相倾吐焦虑与憧憬，渐渐渗透冰冷的建筑体，敞开情感的裂缝。面对居民与游客身份的易位，生死的来去，他们也如空间中的物件般，学会在新的关系中，再次挪动与重新安置自己。影像散文作者（video essayist）Kogonada的首部剧情长片，淋漓展现其镜头语言的敏锐度，如现代主义建筑般对称恒定的画面结构，窜流着低限却潜在的剧情，暗指建筑空间的本质，实为人生活与情感萌发的场域。
彭健新
回复 :拥有绘画天赋的阿明（王合喜）为令相爱多年的女友美仪过上优渥的生活，放弃成为艺术家转做挣钱较多的职员，他没想到的是，自己为梦想的未来辛苦打拼时，美仪竟背着他结识了比他有钱的男人，两人分手。而感情受挫更令他工作严重失误失掉工作。为了有新的开始，阿明换了居住环境，结识房东小蕾（周海媚），后又成为她的同事，而工作中他的绘画才能也因偶然机会被老板赏识。朝夕相处中，阿明与小蕾生出感情，小蕾的哥哥（罗家英）也极力撮合两人携手同行。但这时美仪杀来回马枪。
回复 :"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
