萨米尔(Samir)是一名身材高大、血腥身材瘦长、血腥40多岁的起重机操作员,他来自巴黎郊区的蒙特勒伊(蒙特勒伊),深爱着他。他发现她是一个游泳教练在当地的游泳池,以及缺乏一个更好的计划,他决定让她的学生…虽然他可以完美地游泳。但他的谎言只会持续3个教训,他讨厌撒谎的人。真相的表面。Agathe是愤怒。结束吗不!在一次商务旅行中,阿加西前往冰岛,在她和萨米尔之间建立了一个海洋。
萨米尔(Samir)是一名身材高大、血腥身材瘦长、血腥40多岁的起重机操作员,他来自巴黎郊区的蒙特勒伊(蒙特勒伊),深爱着他。他发现她是一个游泳教练在当地的游泳池,以及缺乏一个更好的计划,他决定让她的学生…虽然他可以完美地游泳。但他的谎言只会持续3个教训,他讨厌撒谎的人。真相的表面。Agathe是愤怒。结束吗不!在一次商务旅行中,阿加西前往冰岛,在她和萨米尔之间建立了一个海洋。
回复 :《梅艳芳菲》是梅艳芳的粉丝为了纪念这位百变天后而花了八年的时间和心血拍摄的纪念电影。影片从粉丝们在垃圾柜里捡回被当做垃圾扔掉的梅艳芳的遗物和一众粉丝写给梅姐的信开始,从而带出这位偶像生前对人的真挚情义……
回复 :十五岁的罗西斯和汤玛士,在炎炎夏日中百无聊赖。有一天, 他们在足球教练的手机里,意外发现足球队员的淋浴裸照,也惊觉教练偏爱的拍摄对象,似乎就是罗西斯,这使他们火冒三 丈,决定要出手报复。烈火般的青春,使青少年的情绪如猛火 般炽热狂乱,「火」的意象贯穿全片,怒火却也带来新生。曾在《小鬼作家养成班》演出的马修路奇,在本片有精采表现, 而足球教练一角,更由《我妈妈是派对女孩》的导演兼演员之 一山缪赛斯演出。
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.