地狱的看门犬刻耳柏洛斯仍然戴着口套,足球但现在他被称为雷纳,足球拥有女人的乳房和声线,黑皮夹克上镶满铆钉,拿着狗仔相机。他在彼岸世界与我们交谈,详细介绍了野蛮人科南的历次转世,那是一位来自古代的嗜血亚马逊女战士。
地狱的看门犬刻耳柏洛斯仍然戴着口套,足球但现在他被称为雷纳,足球拥有女人的乳房和声线,黑皮夹克上镶满铆钉,拿着狗仔相机。他在彼岸世界与我们交谈,详细介绍了野蛮人科南的历次转世,那是一位来自古代的嗜血亚马逊女战士。
回复 :由布莱恩·德·帕尔马(Brian De Palma)指导, 保罗·施拉德(Paul Schrader)编剧的《迷情记》(Obsession / 1976)是一部文艺气息相当浓厚的悬疑片。帕尔马导演一反常态,并没有在影片中过分卖弄血腥暴力,而是以细腻的手法把一个奇异的故事拍得如梦如幻,韵味十足。本片的摄影保持了帕尔马导演一如既往的高水准。而本片的配乐则是由著名大师伯纳德·赫尔曼(Bernard Herrmann)创作而成,他的音符亦是为影片迷离而神秘的气质加分不少。包括导演及编剧在内的主创们都坦率承认,《迷情记》是受到了传奇导演阿尔弗雷德·希区柯克(Alfred Hitchcock)的《迷魂记》(Vertigo / 1958)的影响而摄制上映的影片,是一部带有致敬色彩的门徒式电影。
回复 :大概是法国第一部描写女同志的故事片吧。Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.
回复 :艺术品经纪人丹尼尔与妻子奥莉薇娅在外举办化妆舞会,保姆在家照看女儿。舞会的调酒师凯西·罗斯密切关注着这对夫妇,心里盘算着一个秘密计划对付二人……