凯特（波茜娅·道布尔戴 Portia Doubleday 饰）是一个非常平凡的女生，春暖梦想着能够成为一名职业服装设计师。可是入行了一段时间后凯特渐渐发现，春暖只凭借自己目前的名气是永远都无法出人头地的，无奈之下，她只得加入了继母爱丽丝（罗伦·荷莉 Lauren Holly 饰）所开设的服装公司，开始了寄人篱下的生活。和凯特一起工作的，还有凯特的两个义姐塔尼斯（娜塔莉·科瑞尔 Natalie Krill 饰）以及西蒙尼（安娜·霍普金斯 Anna Hopkins 饰），本来就对妹妹看不顺眼的姐姐们自然不会给凯特什么好果子吃。一次偶然中，凯特发现姐姐们竟然抄袭别人的设计，东窗事发之后公司的声誉一落千丈，濒临破产的边缘。
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
杜雯惠
回复 :在一个狂风暴雨的不祥之夜，身为瑜伽教练的单身妈妈辛海伦（袁咏仪 饰）带着女儿思思（张籽沐 饰）行驶在回家的路上，突然她们被一辆黑色汽车迫停。当母女俩恢复意识后，发现不知被谁换上了红色衣服，而且身处一个阴冷的溶洞中。之后海伦见到另外七名从未谋面的男女，这些人有着不同的职业，彼此似乎并不相识。随即一个神秘的声音传来，宣布接下来他们将进行一场死亡派对，九个人中间有一个杀手，杀手会在每次催眠气体袭来时杀死这些人。他们必须想方设法找出真正的凶手，活着走出死亡溶洞。经过一连串的猜忌指责，他们相互残杀，血光四溅。而经历了这一切的辛海伦，似乎必须在冷酷的女侦探珍妮（熊乃瑾 饰）面前正视内心最隐秘的一面……
回复 :“我爱上了一个已经死去的女孩，我必须阻止一场4年前的谋杀！”小职员宇浩无意中发现，自己整天观察的对楼女孩，竟然是一个4年前就被谋杀的人。本以为是一场人鬼情未了，没想到却是时空错位导致他可以和4年前的夏如联系。于是，宇浩展开了一场拯救心爱女孩生命的惊险历程。他们究竟能不能抓住凶手，在同一个时空相遇？
