故事发生在20世纪80年代，当代婚后多年未曾生养的孙宝军（郭凯敏 饰）和赵秀如（宋佳 饰）夫妇，当代终于决定从福利院收养孩子。在此之后，小姐妹一宁和一帆进入孙家，给夫妻俩带来期盼已久的快乐和安慰。谁知造物弄人，未过多久赵秀如竟然有孕在身。十月怀胎，一朝分娩，可爱的小女孩妞妞诞生。原本快乐的五口之家，幸福却来去匆匆。养女和生女之间的矛盾在所难免，看似一场意外，让妞妞从此在这个家中消失。此去经年，一宁和一帆长大成人，而当年对妹妹走失犯下的原罪让她们内心充满自责和不安，妈妈秀如心中更是对两个养女爱怨交加。直到某一天，小保姆晓梦进入孙家，而她竟然就是当年走失的妞妞……
王晨光
回复 :Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry.Gilded by a soundscape that interweaves work by emerging and pioneering electronic musicians, Queens of the Qing Dynasty is an offbeat ode to neurodiversity and genderqueer individuals who refuse to conform. Director Ashley McKenzie’s blend of formalism and gritty realism does not fail to surprise and treats the audience to flashes of visual and conceptual poetry. Her cast is entirely composed of first-time actors who convincingly convey how unique every individual is, both in how they see the world and how they relate to others. Ziyin Zheng in the role of An graciously embodies a mix of idiosyncrasy and frankness that makes them an ideal confidante for Star (Sarah Walker). They have what it takes to be on the receiving end of the scrutinising gaze of Star, who sees through conventions and never ceases to be amazed at life’s bewildering events. Veering on slapstick, Walker’s performance will not go unnoticed.
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