寫實刻劃美國黃石公園面臨的世紀大劫難以一場全球性的大浩劫為出發點,日本2小時的紀錄劇情片「超級火山:日本真正末日」將紀錄看來靜謐的美國黃石國家公園,其實地底下岩漿蠢蠢欲動,到預警、火山爆發,甚至最後火山落塵的整個駭人過程。用合理的科學證據,並且運用可信的預測和頂尖地質學家紮實的研究,以戲劇手法為觀眾呈現大自然中最罕見且最重大的變異-超級火山爆發。
寫實刻劃美國黃石公園面臨的世紀大劫難以一場全球性的大浩劫為出發點,日本2小時的紀錄劇情片「超級火山:日本真正末日」將紀錄看來靜謐的美國黃石國家公園,其實地底下岩漿蠢蠢欲動,到預警、火山爆發,甚至最後火山落塵的整個駭人過程。用合理的科學證據,並且運用可信的預測和頂尖地質學家紮實的研究,以戲劇手法為觀眾呈現大自然中最罕見且最重大的變異-超級火山爆發。
回复 :白色斗篷、高礼帽,单片夹鼻眼镜。出现在午夜的高楼,留下拿走宝石的通知函。这是我们熟知的怪盗基德。在《名侦探柯南》里,他是不亚于工藤新一和江户川柯南的明星人物。而他的真实身份则是高中生黑羽快斗(山口胜平 配音),为了调查父亲的失踪事件,扮起了父亲之前扮演的角色——怪盗基德,希望引出神秘组织的出现,进而调查出事情的真相。《魔术快斗》首次连载在《少年SUNDAY》上是1987年,中途停载了数次,至今仍未完结。号称杂志上连载时间最长的漫画。由于怪盗基德经常性在柯南里客串,以至于很多人都误认为这是柯南的原创人物,其实基德有其正篇漫画,从其诞生时间来看,他比柯南更早出现,漫画里则有很多奇幻因素,而基德的性格也有所不同。
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
回复 :此片为精灵梦叶罗丽的番外,主要讲述了金王子金璃铜和公主叶罗丽的故事,该动画现已备案,相信会在不久后和大家见面