剧情简介
故事讲述每天到银行确认有没有老人金进帐的3位老人，奔跑吧视决定受够这一切，放手一搏、携手抢银行，但他们面临到一个关键问题，他们不太会用枪……
奔跑吧视频
故事讲述每天到银行确认有没有老人金进帐的3位老人，奔跑吧视决定受够这一切，放手一搏、携手抢银行，但他们面临到一个关键问题，他们不太会用枪……
上妻宏光
回复 :深空116号移民飞船在太空中航行多年，即将到达宜居星球——新世界。为了熬过漫长的星际旅程，绝大多数船员都在休眠舱中沉睡, 只有一对恋人除外：无法进入休眠的通讯官尹，以及自愿放弃休眠的舰长原。一连串诡异现象的发生，打破了飞船上的平静：瘫痪多年的尹突然奇迹般痊愈，坚守岗位的原突然失去联系，人工智能柒为拯救尹而牺牲……而所有事情的起因，都指向一种能在太空顽强生存的古生物。
回复 :街头歌手嘉朗一直怀着去台湾环岛骑行的梦想。他经朋友介绍认识了来自台湾的女孩贝贝。两人发展成为男女朋友后，嘉朗却发现，贝贝的身份并不如他所想的一样。
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
