一个秘密实验室在接管并研究来自外太空的生物,金铃没想一个科学家不幸被外星人咬到从而发生异变,金铃接下来事情变得越来越恐怖,未知病毒迫使人类异化成恐怖恶心的食人怪物……
一个秘密实验室在接管并研究来自外太空的生物,金铃没想一个科学家不幸被外星人咬到从而发生异变,金铃接下来事情变得越来越恐怖,未知病毒迫使人类异化成恐怖恶心的食人怪物……
回复 :转自:http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :影片讲述了刚毕业的女大学生陈丫丫,放弃在上海工作的大好机会,回到家乡与当地村支书张大力一起为当地村民争项目、办实事、求发展的励志故事。
回复 :影片讲述一名刺客遭到黑帮出卖,落入外科医生手中,结果变性成女人,刺客决议寻求黑帮和医生复仇的故事。罗德里格兹将分饰变性前后的刺客,韦弗则饰演那位变态医生。