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我最大的遗憾是，男网你的遗憾也与我有关。明明互相喜欢，男网却不得不接受命运的安排。向言（何蓝逗 饰）和林衡宇（曹煜辰 饰）从小相识，因故分开，大学又因一场啼笑皆非的闹剧重逢。一个是前途光明的外科大神，一个是家境优渥的绘画才女，怀揣着从校服到婚纱的美好憧憬，带着众人羡慕的目光，未来也在一步步规划中徐徐展开，但无法预料的阻碍也悄悄到来……
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我最大的遗憾是，男网你的遗憾也与我有关。明明互相喜欢，男网却不得不接受命运的安排。向言（何蓝逗 饰）和林衡宇（曹煜辰 饰）从小相识，因故分开，大学又因一场啼笑皆非的闹剧重逢。一个是前途光明的外科大神，一个是家境优渥的绘画才女，怀揣着从校服到婚纱的美好憧憬，带着众人羡慕的目光，未来也在一步步规划中徐徐展开，但无法预料的阻碍也悄悄到来……
回复 :韩星贤（李政宰饰）搬到一个海边小屋，他为房屋取了一个意大利文的名字“Il Mare”，意思是“海”。整理房子时，他在信箱发现了一封内容很奇怪的信，信上写着“我是你搬来前的上一个房客，如果有收到我的信，请寄来”，更奇怪的是这封信寄出的日期是在1999年，也就是两年后——而星贤现在的时间是在1997年。星贤就立刻回信给这莫名其妙的人，询问是怎么回事。1999年的金恩珠（全智贤饰）是个配音员，她发现回信的内容后，就开始常常写信给两年以前的星贤。男朋友去美国后已很少和她联络，后来他从美国回来，却已订婚。心碎的恩珠写信给星贤，拜托星贤到当年她和男友最后见面的那一天，去改变他们的命运，但星贤觉得很痛苦，因为他已爱上了恩珠……
回复 :吉米·波波（西尔维斯特·史泰龙 Sylvester Stallone 饰）是一名混迹黑道、刀头舔血的杀手，他奉行不杀女人和儿童的原则，和合作长达六年的搭档路易斯·布兰查登（乔恩·塞达 Jon Seda 饰）将一个个渣滓送往地狱。在刺杀前恶德警察格雷利的行动中，吉米恻隐心动，冒险放走了一名女子。未过多久，路易斯在酒吧争执中遇害。警方根据女人的口供和路易斯的身份，顺藤摸瓜查到吉米。探员泰勒·科旺（姜成镐 饰）辗转与吉米接洽，谁知却遭到一伙不明身份之人的袭击。身受枪伤并且意外杀死警察的泰勒得到吉米的救助，这两个分出黑白两道的男人被迫联合在一起。而在接二连三的袭击背后，不为人知的阴谋正有条不紊地展开……
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
