剧情简介
南非的一个农场社区连续发生多起命案，午夜当地居民每天都生活在恐惧中。这些惨案不仅影响到与被害者相关的人，午夜也引发了一连串的事件。随着命案不断增多，人们愈发感到压力和焦虑。Lukas Van Staden要如何保护他的家人、朋友和土地？
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南非的一个农场社区连续发生多起命案，午夜当地居民每天都生活在恐惧中。这些惨案不仅影响到与被害者相关的人，午夜也引发了一连串的事件。随着命案不断增多，人们愈发感到压力和焦虑。Lukas Van Staden要如何保护他的家人、朋友和土地？
回复 :洛森是一个杂志编辑，他公正严明的个性，令他尽情揭露不平之事，他工作的杂志因此销量直线上升。在一次报导中，他得罪了黑道大哥。他想找马辉买保险。马辉查出了洛森因错误的报导，曾导致一名女学生自杀，在正义感的驱使下，马辉决定拒绝接受这单生意……
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
珍尼弗温拿斯
回复 :阿杰与弟弟阿辉相依为命，兄弟感情深厚。因被人诬陷杀害警员被警方追捕而逃回大陆，后获释黑社会头子阿伦逼其弟干非法勾当。为还自己清白，阿杰决意潜回香港洗脱杀害警察的罪名，并挽救弟弟免入歧途。阿伦杀掉黑社会老大并将其嫁祸于阿杰，阿杰和警方合作，缉拿了阿伦，同时也洗脱自己的罪名，证明了自己的清白。
