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影史传奇中的传奇。《圣山》后佐杜洛斯基誓要改编科幻小说《沙丘》，视频目标远大到要改变世界，视频改变思维。他筹组史上最强战队，作实参演有奥逊威尔斯、米积加，甚至达利！ Moebius 当年的分镜图接成一个长镜头，满足何止影痴，更可确定随后而至的，从《异形》到《普罗米修斯》，都活在 那巨大魂魄下。佐杜洛斯基激情澎湃现身说法，「我强姦了原著」，谈组班过程奇情过瘾。筹备两年大洒金元，荷里活却步，巨作成泡影。献身的幕后战士，尔后在无数科幻片大放异彩。影痴必修的一课。
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影史传奇中的传奇。《圣山》后佐杜洛斯基誓要改编科幻小说《沙丘》，视频目标远大到要改变世界，视频改变思维。他筹组史上最强战队，作实参演有奥逊威尔斯、米积加，甚至达利！ Moebius 当年的分镜图接成一个长镜头，满足何止影痴，更可确定随后而至的，从《异形》到《普罗米修斯》，都活在 那巨大魂魄下。佐杜洛斯基激情澎湃现身说法，「我强姦了原著」，谈组班过程奇情过瘾。筹备两年大洒金元，荷里活却步，巨作成泡影。献身的幕后战士，尔后在无数科幻片大放异彩。影痴必修的一课。
回复 :故事发生在陕北农村某地。翠儿（邱悦 饰）不甘嫁给暴发户驼子，新婚之夜与心上人田喜（何红庆 饰）跳崖殉情。大难不死的他们辗转来到北京，兰州拉面馆老板丁姐（丁嘉莉 饰）盯上了这俩误闯京城的青年人。京城明星谢优（谢园 饰）每日生活在粉丝们的追逐中，得知情人徐曼（瞿颖 饰）怀孕，顿感五雷轰顶，此事假若被媒体曝光，以往的明星光环将随风而去。田喜想早日迎娶小翠，而小翠则想见见世面以后再结婚。一日，他俩被误认是一对卖淫嫖娼者，慌乱中田喜误撞谢优的车，谢优和田喜四目相对惊呆了，俩人简直象一个模子刻出来的。在医院里，陪徐曼和小翠做妇科检查的谢优和田喜被追星的护士张冠李戴，洋相倍出......
回复 :九十年代初期，一场离奇的爆炸让正在从事军事研究的化学工厂化为废墟，三名“军事试验品”从实验室中逃离，下落不明。因为这三名实验品是极度危险的不安定份子，于是中共中央派出了人造人聂玲（杨丽菁 饰）追查他们的下落。传闻香港屡屡发生抢劫案，犯案的是三名神秘人，和失踪的三个实验品有着极高的相似，于是，聂玲来到了香港，开始她的围剿行动。香港方面，警方派出了尹秋水（万梓良 饰）加入了围剿行动。在一次交锋中，尹秋水为了救名叫小雪（朱茵 饰）的女孩而被聂玲的失忆枪打中，之后，聂玲又被尹秋水误伤。
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
