二十年前长孙家遭八大高手灭门，狠狠狠干长孙盈、狠狠狠干长孙卿带着家传武学从秘道逃脱后，追随拜火教主东方彬，分别化名孙盈、王太白，自此决心杀八大高手报仇。段小峰与王非烟继续查案，亲眼目睹蔡上将殒命，又接到了长春子的死讯。灰心丧气的段小峰回到京师偶遇假装被卖到沙洪帮的孙盈，将其带回叶家安置，当孙盈决定放弃杀叶无忌正准备离开时，却被叶无忌发现其真实身份。二人决战欲做了断，战后两败俱伤。身负重伤的叶无忌回家途中被王太白暗害。峨眉派逍遥子到六扇门奔丧，段小峰从其伤口发现，这正是那夜追杀他们的黑衣人。明白了一切的段小峰携王非烟前往拜火教总坛光明峰。正邪两派人马、以及两拨凶手齐聚，此案的真相以及二十年前的秘密被一一揭开。
露云娜
回复 :女演员到底是什么呢？对要在这部作品“告白的女演员论”出演的3个女演员，从开拍2天前开始进行跟踪她们的生活。把她们三个人的故事同时进行。 浅丘路子、冈田茉莉子、有马稻子挑战“女演员”角色，分别饰演三个被不可告人的秘密折磨的当红演员，表现人类隐藏的愿望和渴望……。
回复 :ynopsis from Time Out Film Guide: Between the seemingly idyllic opening and closing scenes depicting a rural community, first at church, then at the village festival, Fleischmann attacks that community's prejudices and ignorance without remorse. His very precisely observed portrait of Bavarian life begins with little more than a display of the villagers' constant ribbing, bawdy humour, continuous gossip, and more than a hint of their slow-wittedness. With the return of a young man, their idle malice and childish clowning, always on the edge of unpleasantness, receive some focus: quite without foundation, the lad is victimised as a homosexual. The crippling conformity of their ingrained conservatism leads the villagers to reject anything 'different': a young widow is ostracised, more for her crippled lover and idiot son than her morals; a teacher is frozen out because she's educated; the casual destruction of the young 'homosexual' is given no more thought than the cutting up of a pig. Not Germany in the '30s but the '70s; nevertheless the political parallels are clear. An impressive film.
回复 :A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDbI have always wondered about the disappearance of Deluge. Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams Co., I'm still puzzled, but I have a theory. In 1933, the code was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, Deluge does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy Convention City. It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.
