某一天,亚州诗织(石桥杏奈饰)发现几枚昭和63年发行的10日元硬币诡异地响动着。重读母亲日记的她,亚州意外知道那一日是母亲同班同学们发生煤气事故的忌日,在好奇心的驱使下,决定前往母亲的母校一探究竟。另一方面,刚上高中的彩乃、未梦、友梨、芽生等人,对于传说中的煤气事故的传闻产生兴趣,不过他们却遇见了许多不可思议的事件……
某一天,亚州诗织(石桥杏奈饰)发现几枚昭和63年发行的10日元硬币诡异地响动着。重读母亲日记的她,亚州意外知道那一日是母亲同班同学们发生煤气事故的忌日,在好奇心的驱使下,决定前往母亲的母校一探究竟。另一方面,刚上高中的彩乃、未梦、友梨、芽生等人,对于传说中的煤气事故的传闻产生兴趣,不过他们却遇见了许多不可思议的事件……
回复 :《英雄·喋血》是珠影集团倾全力打造的英雄电影,由香港导演赵崇基执导,讲述一群热血方刚、风华正茂的青年投身到革命事业,为自由和民主不惜抛头颅洒热血。
回复 :某城中村因强行征地拆迁发生群体性械斗,村民常青因在械斗中失手打死强拆人员而被公安机关提请逮捕,村民对此十分不满,同时反映官商勾结,要求严肃查处从中非法获利的腐败官员。市检察院侦查监督处女检察官张芸(车晓 饰)在审查常青故意伤害案中,发现报捕的材料矛盾重重,遂与负责查处城中村事件背后渎职犯罪的反渎局局长顾长风(林保怡 饰)相互配合,从犯罪嫌疑人马义成在一起人为的交通事故中死亡入手,顺藤摸瓜,陆续查出强拆公司头目杨胜强、“金玉华庭”老板金玉庭(李强 饰)等人与土地规划、房产管理等部门官员相互勾结,非法出让、倒卖土地,违规办理“两证”等犯罪事实。为逃避法律追究,金玉庭等人对顾长风或以金钱收买,或以绑架其年幼的女儿相威胁,顾毫不退缩,并得到对他爱慕已久的张芸的无私帮助。最终,常青“故意伤害致死人命”案因张芸的严格把关,最终被认定为正当防卫,常被无罪释放,不法商人和腐败官员纷纷落入法网,金玉庭携款准备潜逃国外;而张芸却因秉公执法,被犯罪嫌疑人马义成的妻子点燃汽油烧伤……
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.