这是一个爱情喜剧青春热情的少女苏珊娜和李咪咪,年午他们本来是好朋友,后来由于在情场上争夺男孩子,各展奇谋,结果变成一对欢喜冤家。
这是一个爱情喜剧青春热情的少女苏珊娜和李咪咪,年午他们本来是好朋友,后来由于在情场上争夺男孩子,各展奇谋,结果变成一对欢喜冤家。
回复 :Martijn visits, after several years without contact, his sister Daantje. Daantje, just started to live on her own in Amsterdam. He tells her he is going to make a documentary from Daantje's live. Martijn enters her live with a videocamera. This creates a tension between Daantje and her brother, because he want to recall something which happend between them in the past. To keep Martijn at a distance Daantje starts a relation with Ramon. Then Martijn gets between them. He manage to talk her over to remember and talk over the things happend when they were kids. This helps him to overcome his obsession for his sister and after playing over the history he finally is able to see her without the videocamera like he did during the whole movie.
回复 :Condemned to see only when the night falls, the abandoned blind sisters with the untraceable past, Louise and Henriette, share a horrible secret. Their days are black, their nights are blue, and their insatiable thirst for warm, bright-red blood compels the orphaned predators to roam the ill-lit streets of Paris in search of unsuspecting victims to sustain their unholy existence on Earth. However, danger lurks everywhere, and the city's sad, memory-laden cemeteries can only provide temporary refuge. Indeed, blood begets blood. Is there an end to the blood-stained sisters' tyranny?
回复 :在纽约布鲁克林区街头开设香烟店的哈维凯托,和经常到店里买烟的失意作家威廉.赫特是全片的中心人物,透过他俩的交谈各自的遭遇,理出了四个男人与一个女人之间复杂的人生故事……在东方女性版的《喜福会》造成轰动后,导演王颖转过头来拍摄一部西方男性版,同样是以几个家庭的多线发展探讨人伦亲请的可贵,但味道各有不同。这部电影能把生活中看似平凡无奇的一些细微变化作出高明的解释,不少片段有感人肺腑的剧力,证明王颖已经跨越华裔导演的民族局限性,且西方题材的掌握也能挥洒自如。