剧情简介
影片根据Marjorie Wallace撰写的同名书籍改编，日韩讲述一对双胞胎姐妹非常沉默，日韩她们只用一种专有的语言来彼此交流。她们迷恋于写小说、男孩以及青少年间的犯罪活动，她们之间的紧密关系使得某些事情变得十分危险。
日韩欧美二区
影片根据Marjorie Wallace撰写的同名书籍改编，日韩讲述一对双胞胎姐妹非常沉默，日韩她们只用一种专有的语言来彼此交流。她们迷恋于写小说、男孩以及青少年间的犯罪活动，她们之间的紧密关系使得某些事情变得十分危险。
回复 :你是否曾想过，身边的他或她，会不会就是你一生的守护神，而你却不曾重视他的存在？爱情是个亘古之谜、难解的结，人性的执着与脆弱、矛盾与激情在爱情之中表露无遗。本故事以爱情为经，灵异惊悚为纬，配以台湾独特神秘的家将文化，铺陈出一段悬疑惊险、凄美动人的玄幻篇章。
回复 :《愿无岁月》这部电影讲述了梦想成为长跑冠军的陈武（李岷城 是），在失去父亲之后和妹妹变得无依无靠。父亲老友李建国得知后带兄妹二人回了老家，妹妹升学受到阻挠，兄妹俩在村里也常常受当地小混混的欺负。在这种艰难的环境下，陈武却意外收获了爱情，然而他能否突破重重阻碍，重拾理想呢？这部影片带领观众回首往昔，也许有过痛苦，也许充满欢乐，正是曾经的经历造就了今天的我们，《愿无岁月》是一部关于回忆，关于梦想，关于未来的影片。
梅琳
回复 :Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
