在遥远的十二号行星阿莫伊上，成年存在着一个扭曲的社会。这个社会由巨型电脑朱庇特所掌控。为了净化基因，成年人类被放逐了，一般的生育方式被彻底抛弃，朱庇特通过直接操控基因的方式，制造出了一大群更加完美的生物体，他们美丽，强壮，聪明，但冷酷无情、野心勃勃。这群所谓的“超人类”成为了普 通人类的统治者，他们通过发色来区分等级，其中，黑发和金发，分别处于等级的最底层和最高层。在首都塔拉古纳，有一群被称之为“宠物”的低等居民。他们被豢养、玩弄，每天都生活在没有尊严的纸醉金迷中。里奇（关俊彦 配音）就是其中的一员，但也是特殊的一员，黑发的他属于底层居民，而他金发的主人雷森（盐泽兼人 配音）却是朱庇特最喜欢的“孩子”。其实，他们的感情早已远远超出了正常的宠物与主人之间的界限，然而，在朱庇特看来，这样跨越阶级和种族的感情是绝对不允许发生的。这一对禁断的恋人会有一个好的结果吗？在绝对的统治之下，所有的一切都显得那样渺小。
回复 :巴西创业者向名人和大众评委推销他们的点子，但要赢得20万雷亚尔的奖金，他们还必须应对艰难的挑战
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
回复 :澳门是全中国唯一能合法开设赌场的地方，去年澳门赌场的营收超过拉斯维加斯，是全球营收最高的赌城，其中的原因在於开放外资；澳门赌王何鸿燊遇到了威尼斯人赌场度假村老板－美国人薛尔顿埃德森的挑战。本节目不但要叙述各家赌场如何招揽两千多万名前往澳门观光的游客，还要观察中国一掷千金的富豪，以及希望藉赌还债的赌徒的习惯。赌和犯罪往往脱不了关系，节目中也会带领大家去了解，三合会与澳门赌场之间的关系。节目最後要预先去看埃德森的下一项计画──他要花费150亿美元打造金光大道，并在金光大道的中心，建造全世界最大的赌场澳门威尼斯人。澳门在2006年崛起成世界最大赌城，取代了美国拉斯维加斯的龙头地位。事实是，随着六个赌牌全投入市场，澳门即出现翻天覆地的变化。《赌城到中国》系列纪录片，就从不同角度探讨美国赌场钜子，在争夺澳门市场时面对的种种挑战。国家地理频道推出的《赌城到中国》（VegasComesToChina），是2007年的制作。虽然当中的资料不算最新（当时澳门威尼斯人和美高梅金殿仍未开幕），整体来说，仍能让观众了解澳门政府在2002年开放赌权后，带来的巨大转变，而焦点就是来自美国拉斯维加斯的赌业大亨SheldonAdelson，在澳门开设金沙及威尼斯人的情况，让观众了解要把拉斯维加斯式赌场移植到中国时遇到的困难。
