塔查·翁泰拉维特和帕亚克·查德查·陈订婚是因为一份互惠互利的商业协议。喜儿和孔迪亚乌甜蜜的爱情就像一部浪漫小说的结局…好像。订婚那天只剩下塔查一个人。当他搬进喜儿的住处时，精灵他被单独留下。由于婚礼即将举行，精灵他不得不独自处理一切…他的名字是孔迪亚乌，但不代表他想一个人！由于痛苦无法忍 受，塔查决定从未来的婚礼逃到瑞士，没有想到喜儿会试图追上他，并陷入车祸。此外，喜儿醒来后失去了记忆，并指责塔查是鄙视结婚想法的人！他怎么了，嗯？！虽然很痛苦，但库亚选择不再忍受这个残忍的家伙。他已决定取消婚约，但喜莲拒绝合作，并坚持他们结婚，住在一起！你到底想要什么，海莲，嗯？！)~~改编自班巴姆(ผู้เขียน).)的小说《淘气宝贝》(淘气宝贝ดื้อเฮียก็หาว่าซน)
回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
回复 :诡异之屋，怪事横生我们如何确定这个世界是真实的呢？又如何确定自己是真实存在的呢？如果你认为宇宙是随机的、多维的、多重平行的，那是不是在某一瞬间必然会出现诡异奇怪的事情？一个荒郊野外的洞，一场三缺一的麻将局，夫妻俩的自驾旅行，沙发下的弹力小球，一段记录生日的Vlog，身边那些看似再平常不过的事情，其实会颠覆你的认知......
回复 :以黄文秀的生前故事为原型，从黄文秀的工作视角切入，将百坭村贫困户背后不为人知的故事述予观众，有血有肉地展现了一批青年干部不一样的人生理想，再现了脱贫攻坚战中有笑有泪的真实故事，向观众讲述黄文秀如何成长为新时代青年楷模的榜样，唱响青春之歌。向脱贫攻坚全面胜利和乡村振兴战略开启、向中国共产党成立100周年献礼。
