文化Henry is an introverted architect. After the death of his wife in a car accident, he sets out to help Millie, a homeless teen, to build a raft to sail across the Atlantic.
文化Henry is an introverted architect. After the death of his wife in a car accident, he sets out to help Millie, a homeless teen, to build a raft to sail across the Atlantic.
回复 :You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer.Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.源自:https://iffr.com/en/iffr/2023/films/faces-of-anne
回复 :彼得(弗雷德里克·劳 Frederick Lau 饰)和名为莉斯贝丝(亨丽埃特·肯夫里乌斯 Henriette Confurius 饰)是一对非常相爱的情侣,然而,莉斯贝丝是出生在富贵家庭的千金大小姐,而彼得则是一穷二白的无名小卒,两人的感情自然而然遭到了莉斯贝丝家族的强烈反对。为了能够在短时间内获得大量的财富,彼得决定和魔鬼迈克尔(莫里兹·布雷多 Moritz Bleibtreu 饰)做一个交易,用自己的真心去换取财富。虽然彼得有钱了,但他变成了一个冷酷无情的人,因此失去了莉斯贝丝对自己的爱,知道这时,彼得才发现自己被魔鬼骗了。为了重新获得莉斯贝丝的爱,彼得必须再去找迈克尔,这一次,他要换回的,是自己的真心。
回复 :Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals.Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.