《天缘·纳木错》以一位藏族女性的三段感情为线索,劫机讲述了她虽然历经苦难却没有放弃对生活的希望和对纳木错的执着,劫机一生都在用小小的诊所守护纳木错人身体健康的故事。
《天缘·纳木错》以一位藏族女性的三段感情为线索,劫机讲述了她虽然历经苦难却没有放弃对生活的希望和对纳木错的执着,劫机一生都在用小小的诊所守护纳木错人身体健康的故事。
回复 :Barefoot roadtrip around Guinea in search of the first film made by a local filmmaker. A charming and cinematic adventure, where the journey and the destination are equally important, and a film about collective memory and porous film reels.Does a film exist if no one has seen it? Guinean film director Thierno Souleymane Diallo goes on a barefoot road trip around his country to find the mythical 1953 film ‘Mouramani’ – the first Guinean film made by a local filmmaker. But it is not easy to find the film or anyone who has seen it for that matter. Some believe it is about the Islamisation of the Mandinka people. Others that it is about the relationship between a dog and its owner. Along the way, Diallo passes old, abandoned cinemas and dusty piles of moisture-damaged film reels. ‘The Cemetery of Cinema’ is a charming, cinematic adventure in which the journey is almost as important as the destination, and where the encounters along the way remind us of the importance of preserving a shared memory and culturel heritage.
回复 :故事发生在不久的将来,人工智能风靡一时,自然发展成为遥远的记忆。纽约一对夫妻瑞秋和阿尔维准备将关系发展到下一个阶段,组建一个家庭。瑞秋的工作让他们有机会使用科技巨头帕伽索斯公司开发的一种新工具——通过可拆卸的人造子宫,或着叫“卵舱”,让夫妻们有机会在更平等的基础上共享怀孕。阿尔维是一名植物学家兼虔诚的纯粹主义者,对此方法表示怀疑,但他对瑞秋的爱促使其放手一搏,两人在这个勇敢新世界里,开始了为人父母的疯狂旅程。
回复 :一艘神秘的太空船,一群寻找更大世界的好友,一场实力悬殊的绝望逃亡……