胡金銓導演曾於康城影展獲獎,国产1978年被英國《國際電影指南》選為世界五大導演。此部抗日戰爭片,国产為胡氏1964年自編自導自演的首部作品,於1966年金馬獎獲最佳編劇、最佳剪輯(姜興隆)及最佳發揚民族精神特別獎,被評為「寫中華兒女的愛國熱誠,演導活潑,內容很有深度」。故事描寫二次世界大戰期間,國人奮起抗日的事蹟;除胡氏粉墨登場外,主要演員還包括樂蒂、陳厚、夏儀秋及陳燕燕。
胡金銓導演曾於康城影展獲獎,国产1978年被英國《國際電影指南》選為世界五大導演。此部抗日戰爭片,国产為胡氏1964年自編自導自演的首部作品,於1966年金馬獎獲最佳編劇、最佳剪輯(姜興隆)及最佳發揚民族精神特別獎,被評為「寫中華兒女的愛國熱誠,演導活潑,內容很有深度」。故事描寫二次世界大戰期間,國人奮起抗日的事蹟;除胡氏粉墨登場外,主要演員還包括樂蒂、陳厚、夏儀秋及陳燕燕。
回复 :影片围绕着一个男人和一个女人分别展开,男人是某组织的头号目标人物,而女人则处在生命的尽头。
回复 :青年丁鹏(尔冬升 饰)出身低微,习得祖传“天外流星”剑法后挑战各路武林高手,欲扬名立万以光宗耀祖,不料武当掌门柳若松(王戎 饰)令妻子可笑(林建明 饰)施计陷害,使丁鹏失却剑谱,名誉扫地。丁鹏万念俱灰寻至荒郊了却残生,却被自称“狐鬼”的女子青青(汪明荃 饰)拦下,二人自此在世外桃源般的人鬼边界习练武功,并结为伉俪。一年后,丁鹏掌握了圆月弯刀刀法已天下无敌,不顾青青阻拦执意出山复仇。二人以其人之道还治其人之身让柳若松身败名裂。丁鹏踌躇满志远赴神剑山庄挑战三少爷谢晓峰(岳华 饰),三少爷一番开导未能让丁鹏开悟,反而抛弃青青入赘南宫世家。连番仇杀与青青的真实身份不久令丁鹏醒悟江湖的真相。
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.