拉胡尔是震惊全印度的天才歌手,高清可是不知道如何面对明星地位的他整天喝酒烂醉,高清不务正业。直到有一天他遇见了美丽的阿罗伊,拉胡尔被阿罗伊完美的嗓音吸引,决定培养她,让她成为印度最好的歌手。慢慢的两人深深爱上彼此。。。两位主角将带着我们在整篇音乐之旅中领略他们生活中的爱与恨、 曲折和动荡、成功和失败。最终他们是生活在一起或者分道扬镳独自一人呢?
拉胡尔是震惊全印度的天才歌手,高清可是不知道如何面对明星地位的他整天喝酒烂醉,高清不务正业。直到有一天他遇见了美丽的阿罗伊,拉胡尔被阿罗伊完美的嗓音吸引,决定培养她,让她成为印度最好的歌手。慢慢的两人深深爱上彼此。。。两位主角将带着我们在整篇音乐之旅中领略他们生活中的爱与恨、 曲折和动荡、成功和失败。最终他们是生活在一起或者分道扬镳独自一人呢?
回复 :战争结束了,但留下的悲剧从来都不会就此断绝。在位于美国加州的一家伤兵医院里,卢克(强·沃特 Jon Voight 饰)痛苦的躺在病床上。战争彻底的夺走了他剩余人生里的幸福和自由,半身不遂的他注定再也享受不到生为一个正常人的快乐了。因为种种,卢克每天都生活在抑郁和愤怒之中。莎莉(简·方达 Jane Fonda 饰)的丈夫鲍勃(布鲁斯·邓恩 Bruce Dern 饰)是一名军官。身为军官之妻,莎莉有义务对在战争中遭难的军人们进行安抚。就这样,莎莉邂逅了卢克,并且在时间的推移之中深深的爱上了他。为了给予卢克继续活下去的希望,她不惜用自己的身体去引诱卢克。
回复 :16岁的高中女生相马丝(驹井莲)的特长是弹三味线。有一天,她开始在津轻的女仆咖啡店打工,她的生活也发生了翻天覆地的变化。
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor