剧情简介
利用很浅的景深以及局部特写把大型涂鸦、带蝴蝶视壁画和现实街景实现融合,或者壁画模特走到前景与背景的人物轮廓重合,这种有趣的视觉游戏与Varda出身摄影有关,或应和了内容:八十年代LA的涂鸦艺术成为不同族群表达和重塑身份的方法-亦是视觉的假象?画外音中的絮语与影片内容组成了标题Mural Mur的双关.
带蝴蝶视频
利用很浅的景深以及局部特写把大型涂鸦、带蝴蝶视壁画和现实街景实现融合,或者壁画模特走到前景与背景的人物轮廓重合,这种有趣的视觉游戏与Varda出身摄影有关,或应和了内容:八十年代LA的涂鸦艺术成为不同族群表达和重塑身份的方法-亦是视觉的假象?画外音中的絮语与影片内容组成了标题Mural Mur的双关.
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
回复 :名不见经传的小刑警孙大圣（王千源 饰）出生入死在追查案件的第一线，在平凡无奇的一天，他突然听说与之有交情的汽车修理工赵勇强跳楼自杀了。赵勇强此前租住一处拆迁房，但拆迁房一夜被人强拆，他和儿子不仅被赶了出来，连预付的租金都打了水漂。在此之后，赵带着儿子找到地产开发商泰华集团总经理赵泰（包贝尔 饰），结果却遭受了殴打和羞辱。在此之后，孙大圣试图调查此事，却遭到泰华集团乃至警方内部的阻挠，而赵泰试图收买他的行为更激怒了耿直倔强的孙大圣。专横跋扈的赵泰为了摆平这件事，不惜采用各种龌龊肮脏的手段，正邪之战正式拉开帷幕……
回复 :学校很无聊。家庭很无聊。自己也很无聊。有着以上想法的15岁少年终于停止了上学。为寻找至今已经生存了7千年的绳文杉而踏上了漫无目的旅程。现在有很多人为了寻求心理安慰，或是得到心中无法得到的答案，而去寻找绳文杉。但是，告诉少年答案的难道就是一棵杉树吗？在寻找绳文杉的冒险旅途中，在不同的地方，少年遇见了许多年纪、立场、遭遇各个相同但却一直努力生存的人们。如果没有这次的旅行，少年人绝对看不到如此丰富的人生。通过窥见到周遭人们的不同的人生和苦闷，少年人开始了对自己人生的探寻。而那里正是少年自己的“学校”。
