英国军情六处的前特工雷（克里夫•欧文 饰）转行做了商业间谍。在酒会上，邪恶他邂逅了曾在美国中情局工作的特工克莱尔（茱莉亚•罗伯茨 饰）。不过，邪恶克莱尔却装作不认识，这勾起了他的好奇。终于，雷依靠软磨硬泡，拉克莱尔去开房。没想到，却被对方下药迷倒，还偷走了他的重要文件。原来，此时的克莱尔已经做了竞争对手公司的间谍。这令如梦初醒的雷非常愤怒。在一次接头任务中，雷再次见到克莱尔的身影，于是不顾命令，拦住了她，结果他意外发现她恰恰就是接头人。虽然因为他的鲁莽，这场碰头不欢而散，但是这两人的纠缠却并未结束，因为他们先后卷入了两家竞争公司的明争暗斗之中，为了窃取商业情报，两人大打出手，互相斗法，并在其中擦出了爱情的火花……
成诗京
回复 :Investigative documentary filmmaker Alex Gibney—best known for 2008’s Oscar-winning Taxi to the Dark Side, Enron: The Smartest Guys in the Room, and at least a dozen others—turns his sights on the 1994 Loughinisland massacre, a cold case that remains an open wound in the Irish peace process. The families of the victims—who were murdered while watching the World Cup in their local pub—were promised justice, but 20 years later they still didn’t know who killed their loved ones. Gibney uncovers a web of secrecy, lies, and corruption that so often results when the powerful insist they are acting for the greater good.
王一然
回复 :故事设定在虚构的近未来日本。日本政府推出”75岁方案“，为75岁以上的老人提供提前走到人生终点的选择。一位无力负担社会生活压力的高龄女士、一个务实的“75方案”推销员和一名菲律宾劳工面临着生死抉择。
洪乙心
回复 :In Skazka, Alexander Sokurov weaves digital magic to create a phantasmagorical vision of the Afterlife, worthy of Dante. But wait: are we in the limbo of Purgatory, or a paradoxical Paradise reserved for notorious men of world history? Mussolini, Stalin, Hitler, Churchill and more: all are present and accounted for. Since they exist only as archival media images, each figure comes in a serial set.In the blackest of political comedies, these fallen men beg, in turn, to be let through Heaven’s Gate – but the angels who peek through never open wide. Little wonder, as the former leaders wander listlessly, bitching (in a Babel of multiple languages) about each other’s clothes, hair and hygiene.In what is effectively a work of animation, Sokurov has pulled together many talents into an extraordinary technological feat. It blends pictorial elements from art history to form an endlessly unfolding landscape, replete with fog and ghostly armies of the sacrificed victims of history. Announced as Sokurov’s last film, Skazka is an inspired riff on the high culture of Peter Greenaway mixed with the low culture of mash-up artists Soda_Jerk. Can we now expect some entrepreneur to bring us the interactive Skazka video game?
