娜塔莉安博莉亚
发表于7分钟前回复 :性情古怪的前电影放映员郝飞羽(贾宏声)用望远镜锁定一名女性后,会把她哄骗到放映间,但他并不强奸或抢劫,只拿出私养的银环蛇。多名女性死于银环蛇之口,公安局成立以侦察员文英华(张京生)、老周(韩廷琦)为首的“银蛇谋杀案”侦破小组。某日郝飞羽又用望远镜寻找猎物时,无意间发现照相师孔翔雄(朱晓鸣)正在偷拍银行,随后他悄悄潜入孔的照相馆偷得几张照片,暗中盘算起,几日后银行果然被盗,而他也从照片中发现,与银行经理石衡山(臧金生)打得火热的乔美奂(高宝宝),其实是该起盗窃主谋钟大忠(王建成)的女友,决定敲诈。郝飞羽悄悄将一盘录音带转给乔美奂,威逼其将一笔巨款送到体育馆,惊动钟大忠。钟大忠以为敲诈者是石衡山,便派打手追杀。躲在暗处与之周旋的郝飞羽趁机带走乔美奂,不久公安人员发现乔的尸体。“盗窃案”与“银蛇案”搅在一起。
黄霑
发表于5分钟前回复 :The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate.Part 1 comments on:■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher■"Konkurs" ("Audition," 1963) by Miloš Forman■"Křik" ("The Cry," 1963) by Jaromil Jireš■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří MenzelPart 2 comments on:■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko■"Stud" ("Shame," 1967) by Ladislav Helge■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová■"Pasťák" ("The Decoy," 1968) by Hynek Bočan■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček■"322" ("322," 1969) by Dušan Hanák■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný
黛安娜罗丝
发表于1分钟前回复 :芭儿(布莱娜·布罗恩 Brianna Brown 饰)和强尼(肯·华德 Ken Ward 饰)驱车赶往家乡,去参加阿姨的葬礼。他们的车直接开到墓园,然而这里却空无一人,只有棺木停在墓穴的旁边。正当他们诧异之时,两个奇怪恐怖的男人袭击了准备电话求助的强尼,强尼吓得夺路而逃。芭儿继而发现,这两个人已变成吸血僵尸,连她的妈妈(Marcia Ann Burrs 饰)也成为他们中的一员。芭儿落荒逃跑,沿途的景象让她惊慌失措,似乎那久为归来的故乡已经变成充斥着恐怖僵尸的修罗场。路上,芭儿被瘾君子本(Joshua DesRoches 饰)搭救,暂时逃脱僵尸的攻击。但是她的恶梦并未就此结束,漫漫长夜仿佛没有尽头……