凯南·朗斯代尔(《爱你，狠狠西蒙》《闪电侠》)、狠狠迪伦·斯普罗斯(《小查与寇弟的顶级生活》)、萨拉·海蓝德(《摩登家庭》)将主演LGBTQ题材爱情喜剧片《我的假男友》(My Fake Boyfriend)，狮门和Buzzfeed出品。罗丝·崔奇(《拉字至上》)执导，讲述一个年轻人(朗斯代尔)在最好的朋友(斯普罗斯)的建议下，创造了一个假的社交媒体男友，来让糟心的前任远离自己的生活。而当他遇到了生命中的真爱，这个计划事与愿违：事实证明要和他的假男友分手真的很难。该片下个月在加拿大开拍，计划在明年6月同志骄傲月期间北美上映。
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :Summoned to his soon-to-be demolished childhood home, Mason discovers a video camera that can see into the past, driving him to record as many memories as possible before the doomed house is destroyed.
张也
回复 :黄飞鸿的侠义事迹曾多次被搬上银幕，本片由资深导演王风执导，史仲田饰黄飞鸿、石坚饰申九蚣，配搭新鲜。故事讲述，黄飞鸿（史仲田）是清末民初名震岭南的着名拳师，平素以行侠仗义、排解纠纷为己任；除了设馆授徒之外，并医治跌打济世，在武林中极有声望。某天正值黄飞鸿宝芝林药局新张吉庆，德记?栏主人周立德（井淼）前来道贺，并希望黄飞鸿能够帮助他在来年观音诞时抢得丁财炮……
