预科学校若智书院有一群成绩堪忧思想活跃的学生，香婷校董家的谢天（何启南 饰）与谢地兄妹凭借老爸身份，香婷即便留级也不担心学业；绰号水电工的嘉明为人老实，暗恋同学白逸梦（陈松伶 饰），而白逸梦满脑子言情幻想，全然没有留意；李时珍（李丽珍 饰）因为在南太平洋群岛旅游，耽误了开学日，在旅游期间，李时珍结识了香港青年戴运河（陈山河 饰），运河对时珍一见钟情，不顾家人反对退掉美国大学，赶到香港入读若智书院。运河的到来令谢天大为紧张，谢天属意时珍日久，和死党吴成材一直无法打动芳心，但也不能容忍运河插手。校园内一时掀起了一场多角恋爱的争夺……校董面对恶作剧的学生们大为光火，聘请军校老师对书院进行军事化管理，这引发了学生们的空前团结……
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
回复 :https://puui.qpic.cn/vcover_vt_pic/0/o9jx9bfvpux2h181520142913/0
回复 :电影节红毯环节，经纪人海红为了让手下当红艺人卫涵压轴出场，不惜自导自演一出戏，最终如愿！之后的酒会上，斩获最佳男主角的卫涵风光无限，资深经纪人老徐却点出卫涵合约即将到期，众人互道祝福的场面话，背后暗流涌动。第二天，卫涵与老徐旗下已婚艺人苏荷绯闻曝光，续约关键期，此番爆料事出反常，海红决心查出幕后操纵者……