剧情简介
乔恩·费儒执导的Netflix美食类节目《主厨秀》(The Chef Show，中国暂译)首曝预告！中国小罗伯特·唐尼、汤姆·霍兰德、安东尼·罗素、乔·罗素等现身，与费儒共同做美食。该节目将于6月7日上线。
中国的视频
乔恩·费儒执导的Netflix美食类节目《主厨秀》(The Chef Show，中国暂译)首曝预告！中国小罗伯特·唐尼、汤姆·霍兰德、安东尼·罗素、乔·罗素等现身，与费儒共同做美食。该节目将于6月7日上线。
回复 : 德云社德云一队小园子南京站第二场演出欢乐来袭！本场节目包括高峰、栾云平表演的《写对联》；高筱贝、侯筱楼表演的《金龟铁甲》；王昊悦、李昊洋表演的《洪羊洞》；郎昊辰、张九林表演的《大保镖》；高玉凯、王善勇表演的《语言的魅力》。精彩敬请期待。
赵冠宇
回复 :聚焦大湾区“人间烟火气”、见证国家发展、推动粤港两地文化交流的经营体验节目。节目契合国家建设粤港澳大湾区的时代背景，选择陈小春、张智霖、谢天华、林晓峰、梁汉文五位大湾区哥哥，合伙在广州经营一间港风大排档。节目将通过沉浸式的拍摄，记录哥哥们营业的日常，用美食和音乐温暖都市夜归人，用真诚的沟通和乐观的生活态度治愈食客们心头的焦虑。
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
