任职于广告公司的尼克（蒂姆•罗宾斯 Tim Robbins 饰）深爱自己的妻子，度大师时常为工作拖累而不能陪伴妻子感到内疚，度大师这天客户取消了约会使尼克可以提前回家，然而他看到的却是妻子正和自己的上司偷情，万念俱灰的尼克一言不发开车离家，劫匪泰伦斯（马丁•劳伦斯 Martin Lawrence 饰）半路冲上了尼克的车打劫，可身材矮小的泰伦斯根本无法唬住狂暴状态的尼克，尼克驾车一路狂奔，将泰伦斯带到了亚利桑那。身无分文的两人很快开始为钱担忧，在泰伦斯的示范下，尼克很快也学起了行劫，并且计划偷窃上司的巨额现金。初出茅庐的尼克二人组被拥有当地“犯罪专属权”的另一对儿匪徒痛打，侥幸逃脱后尼克与泰伦斯开始执行盗窃计划，而他们的犯罪行为很快遭遇了一系列变故……
傅振辉
回复 :税务律师菲尔·福斯特（史蒂夫·卡瑞尔 Steve Carell 饰）与房地产经纪人的妻子克莱尔·福斯特（蒂娜·费 Tina Fey 饰）是居住在新泽西州的一对普通中年夫妇，育有两子，每日生活疲累而按部就班。受朋友分居的影响，菲尔心血来潮决定将每周末的晚餐约会改到城里，去曼哈顿新开张的一家海鲜餐厅就餐。没有预约的二人顶替了他人的位子，却没曾想吃到中途被两名陌生人挟持出餐厅，用枪威胁他们归还一个闪存。不明就里且吓得半死的福斯特夫妇想办法逃脱，找到克莱尔过去一位名叫霍尔布鲁克（马克·沃尔伯格 Mark Wahlberg 饰）的客户帮忙，却依然无法摆脱追杀。二人甚至还得假扮皮条客与舞女闯入黑帮头子乔·莫雷托（雷·利奥塔 Ray Liotta 饰）的脱衣舞厅周旋，洋相百出。
宋承宪
回复 :Sakthi is a petty thief in a Chennai slum, who learns the Adimurai, the ancient and oldest form of martial arts. Meanwhile, an evil man and his son challenge Sakthi for a kickboxing tournament, and Sakthi agrees to participate in it.
谭炳文
回复 :In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.imdb comment
