彼女の美貴（あいださくら）と同じ大学に通うため、茗第美貴の母親（倖田李梨）が経営するアパート越してきた秀一。しかしそこは、茗第某一流企業の社長秘書・若葉（西野翔）、国際線CA・夏樹（夏川亜咲）、女医・静（浅乃ハルミ）、女教師・あずみ（成瀬心美）たち美女だらけの楽園だった!? 若葉たちは毎夜、秀一の部屋に押しかけ宴会三昧。美貴との半同棲生活を夢見ていたが、ままならない状況。しかも、秀一のモノが大きすぎて、美貴とのHもお預け状態。はたして若葉たちの誘惑に打ち勝ち、美貴と初Hをすることができるのか......。
刘思伟
回复 :Weaving links between New York’s auction houses and art dealers, a revered British Leonardo da Vinci expert, one opportunistic Swiss go-between, a Russian oligarch, London’s Tate Gallery, Le Musée du Louvre in Paris, and a Saudi Arabian prince, journalist Antoine Vitkine delves into the secrets of the art world, and explores the influence that one painting can have. After mysteriously appearing, a painting titled Salvator Mundi (The Savior of the World) was sold at Christie’s auction house, for a record 450 million US dollars in 2017. Attributed to Leonardo da Vinci after its discovery, what became the most expensive piece of art ever has unleashed passions, while revealing the excesses of our time. Journeying along the hidden trails of money, power, and deception lying behind this questionable masterpiece, this film asks: is this really the work of the Italian genius, or one of the greatest scams in the history of art?
乔斯史东
回复 :Judas, a seasoned thief, finds himself in the market square where Christ is giving a sermon and his apostles are collecting alms. He follows them and steals their money, only to be caught red-handed. Nevertheless, the Teacher forgives him. What is more, He invites the thief to become one of His followers and offers him a position as the group’s treasurer. Shocked by Christ’s unexpected offer, Judas decides to join the apostles, if only to figure out what is going on. He gradually starts to comprehend Christ’s message, but feels that the apostles are blindly following their teacher. Judas argues with them, and tries to defend his right to divine the truth of God. But when he fails to make them understand, he realizes that Christ’s teachings may sink into oblivion without benefiting humanity. His solution is to betray Christ. “By killing a man, have I not saved a God?”
回复 :The Future of Work and Death is a documentary concerning the growth of exponential technology and where it is taking us. The film focuses on how future technology could significantly change the two inevitable features of the human experience; punching the clock and fading away. It explores how advanced automation, AI and technological singularity could be achievable in the next 30 years. How job obsolescence and technological unemployment could consequently occur and how digital immortality may not be a thing of science fiction. But what are the socio-political repercussions of these innovations and are we ready for them? Does working less mean living more and is ending ageing incumbent on us? Worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy share their thoughts on these future advancements.
