剧情简介
俊贤正准备通过九级政府工作人员的考试。既然这是他第三次尝试，草莓这次他一定要通过考试。他住进了寄宿家庭，草莓这是他父亲帮助儿子学习的非凡措施的一部分。但是，在这所豪华的房子里等着乔赫的不是厚厚的课本，而是那两个自由自在的女人。俊铉与寄宿屋主人阿珍开始同居，阿珍美艳欲滴，护士达乐则从脸上和身上散发出性感的气息。从那以后，俊铉开始每晚都花在研究女人而不是他的书上。
100克草莓的热量
俊贤正准备通过九级政府工作人员的考试。既然这是他第三次尝试，草莓这次他一定要通过考试。他住进了寄宿家庭，草莓这是他父亲帮助儿子学习的非凡措施的一部分。但是，在这所豪华的房子里等着乔赫的不是厚厚的课本，而是那两个自由自在的女人。俊铉与寄宿屋主人阿珍开始同居，阿珍美艳欲滴，护士达乐则从脸上和身上散发出性感的气息。从那以后，俊铉开始每晚都花在研究女人而不是他的书上。
回复 :高中时期，因被排挤造成性格独来独往的义雄，和从事室内设计工作的爸爸广司，以及在公司担任经理、进而与广司交往的由美同住。某日，由美的朋友和美来到家中，撞见几天未梳洗满身臭味的义雄，心疼义雄的和美帮他洗了澡，甚至还帮他按摩，忍不住慾火的和美也脱下了衣服……然而，与和美发生关係后产生信心的义雄，却开始向继母由美提出许多奇怪的要求……
麒龙
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
姚健
回复 :某疯狂科学家（乔宏 饰）因儿子感染艾滋病死亡而精神失常，他命令助手四处绑架同性恋者带到私人货柜船龙宝号上进行活体实验。警局督察长发叔（曹达华 饰）先后派人数次登船搜集证据，最后皆以失败告终。在夜总会演杂耍的石罅米（石天 饰）自幼研习武功，成年后进入特种大队，却因被指控有虐待倾向而离开警队，永不叙用。如今他独自抚养三个孩子，生活倒也快乐。某晚演出时，他和好友老虎仔（林振康 饰）目睹并插手一起绑架事件。由此将麻烦引到自己身上，而另一方面，发叔发现石罅米和一与疯狂科学家有勾结的日本人容貌相似，遂拟定了一个计划……
