在6年的牢狱之灾中，国产鲁迪（本·阿弗莱克 Ben Affleck 饰）结识了好友尼克（詹姆斯·弗莱恩 James Frain 饰），国产通过尼克的书信，鲁迪得知了一位名叫阿什莉（查理兹·塞隆 Charlize Theron 饰）的女子，在潜移默化之间，鲁迪竟然也对阿什莉产生了一种特殊的感情。一次监狱里的骚乱中，尼克身亡，而出狱后的鲁迪只有一个愿望，那就是找到阿什莉。正如鲁迪所预想的那样，阿什莉是一个绝色美人，为了不让事态过去突兀，鲁迪向阿什莉谎称自己就是尼克。鲁迪和阿什莉的关系进展迅速，可与此同时，鲁迪亦发现自己似乎被卷入了一场阴谋之中。阿什莉的兄弟加布里埃尔（加里·西尼斯 Gary Sinise 饰）预谋抢劫一家赌场，在威逼利诱之间，鲁迪也入伙了。
朱凌凌
回复 :蒂娜的男朋友意识到蒂娜要开煤气度死自己和新生的孩子，于是一把抓起宝贝儿冲到里斯本街头。接下来他要做的事情构成了这部由葡萄牙导演佩德罗·科斯塔执导的过度沮丧的极简主义电影作品。来到大街上，这个年轻人试图把孩子卖掉，没有成功，接着丢弃在保姆家中，仍然无法解决。于是他把孩子送给街头的拉客妓女。与此同时，蒂娜和她的朋友也在努力找到孩子。尝试失败后，她们决定要向男朋友报复……
王铮亮
回复 :独行杀手剑琢磨（千葉真一 饰）得到最新任务，他故意犯罪进入警察局，在众目睽睽之下杀害一名嫌疑犯，随后又成功杀害另一名携带金佛的外国人。他的大胆举动以及出色身手引起了警员山上七郎（島直樹 饰）的注意，他继续调查的想法未得到上层支持，于是辞职展开独立调查，并从师傅正武馆馆长政冈宪道（鈴木正文 饰）了解到琢磨的来历。指示剑琢磨完成两宗命案的幕后黑手为龙虎殿堂主太田黑（田中浩 饰），他表面经营亚洲综合格斗中心，暗中从事非法活动。他邀请正武馆参与综合格斗中心的建设，在遭到拒绝后，太田黑转而要求琢磨杀害政纲。琢磨不愿谋害这位良师益友，他与太田黑正式决裂，于是不得不去应付来自各个流派、身怀绝技的杀手，更要面对他的宿敌志坚原楯城（石橋雅史 饰）……
强麦伦坎
回复 :Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
