细毛家屋场甲申阴阳界拍摄地点：亚洲湖南省岳阳县松源冲制作资助：亚洲真龙纪录电影工作室制片人：张勤俭这部电影拍摄的细毛家屋场是我自己的家乡。拍摄的乡民群落是我的父母亲们。影片分三个方面内容：细毛家屋场阴界的故事、阳界的故事，以及作为乡民阳界与魑魅魍魉阴界沟通的媒介——阴阳界（媒介途径为马脚）。影片试图分析乡民“民生之根，莠草之本”的内层概定。作为稻作区，水稻视野之为乡民意识视野，仿佛数千年来已经建立了一个清晰的模式。乡民，我们的“小农”，总是囿限于一个国家栋梁“正面”之外的自足、苟且偷生、捞取既得利益、投机取巧中。在阳界，乡民们对香港六合彩的变相赌博方式痴迷不悟，掉进了自己意识的陷阱。不少乡民拿着全部家当来赌六合彩，成则大富大贵，败则远走他乡或悬梁自尽。家破人亡的事情屡见不鲜了。乡民们的投机行为，很纯粹地表述了他们作为莠草而非良茛的根本意识。这也许是乡民的根本意识。
回复 :Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, but there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caesar Must Die, once again uses cinema to give voice to literature and history.
季忠平
回复 :在第一部《边境杀手》电影事件发生三年后，这部续集在德克萨斯州的美墨边境附近开幕。随着一名恐怖分子试图通过卡特尔贩毒集团从墨西哥偷渡到美国失败后自爆和之后在堪萨斯城发生的自杀式炸弹袭击，美墨边境的毒品战争升级，联邦特工马特·格拉弗（乔什·布洛林饰）与善变的亚历杭德罗（本尼西奥·德尔·托罗饰 ）重新开始了合作。
平川大辅
回复 :戏剧改编；前面受害者与强奸犯的对峙拍的异常真实，费拉·福赛特对受害者的情绪和反映均给出了异常可信的表演。但随后两名女室友的介入，话剧的感觉就全出来了，打破了原有的那股力量。室友替罪犯说话，受害者的辩护开始变得有些矫情。
