凡事都会亲力亲为、天降全力以赴的雾中霞(真野惠里菜)毕业后担任教师,天降但终究因为经常性加班不堪重负而辞职。随后她决定做短期工,在专门介绍工作的公共职业安定所,她邂逅了神秘的员工正门(浅野温子)。正门每次都会给她介绍各种奇奇怪怪的工作,在从事这些工作时,霞碰到了各种意想不到的困 境,同时也收获了不少快乐。在此过程中,霞对工作的理解渐渐加深。
凡事都会亲力亲为、天降全力以赴的雾中霞(真野惠里菜)毕业后担任教师,天降但终究因为经常性加班不堪重负而辞职。随后她决定做短期工,在专门介绍工作的公共职业安定所,她邂逅了神秘的员工正门(浅野温子)。正门每次都会给她介绍各种奇奇怪怪的工作,在从事这些工作时,霞碰到了各种意想不到的困 境,同时也收获了不少快乐。在此过程中,霞对工作的理解渐渐加深。
回复 :上世纪90年代初,东南沿海小城——福城,一群在时代列车上追赶青春的少年,他们热烈而莽撞,肆意的野蛮生长。在寻找星辰大海中完成“平凡又不平凡”的蜕变,在青春最香甜灿烂的年代,努力迎向属于他们的光辉岁月,收获了成长与爱情。
回复 :生活在乐山的女孩夏果(钟楚曦 饰),和男友郁见(刘学义 饰)过着稳定且安逸的生活,却偶然得到了去往上海工作的机会。一边是机遇与挑战并存的都市生活,一边是一眼能望到头的平凡人生,她会如何做出选择?
回复 :The main story is set in a British Military Intelligence Office in Whitehall during 1956, where a small group of foreign affairs analysts find their quiet existence disrupted by the Suez Crisis. Ewan McGregor plays Mick Hopper, who is doing his national service as an interpreter of Russian documents. Bored with his job, Hopper spends his days creating fantasy daydreams that involve his work colleagues breaking into contemporary hit songs. Louise Germaine plays Sylvia Berry, the blonde wife of the violent Corporal Pete Berry (Douglas Henshall). Sylvia is an object of desire for Mick's fellow clerk Private Francis Francis and a middle-aged pipe-organist named Harold Atterbow (Roy Hudd). Unlike the street-wise Hopper, Francis is a clumsy Welsh intellectual whose academic career has been interrupted by his army call up. The appearance of the bookish niece of a seconded American officer enables the two conscripts to pair off with suitable partners, after initial mismatching. Some of the side themes include the influence of American rock and roll on English society, the gulf between the senior analysts, who are regular army officers, and the conscripted other ranks, the work of Russian playwright Chekhov, and the appreciation of opulent theatre pipe organs. The unusual context — a military culture transplanted into a civil service style office environment — reflects Potter's own national service during the 1950s. While this piece has the form of a romantic comedy, unlike the less conventional works of Dennis Potter's middle period, it is not without graphic sex and violence, as well as Potter's characteristic flashes of dreamlike imagery. The centrepiece of this production is the surreal musical sequence set to the song In a Persian Market.