卒业After troubled teen Katie is sentenced to house arrest, she falls for an attractive young man named John who has just moved in next door. While their affair seems harmless at first, Katie becomes increasingly convinced that there's more than meets the eye with John.
回复 :Four young people come to Mallorca to enjoy idyllic summer holidays, but delving into the most inhospitable places on the island will begin a hellish journey.
回复 :麦琪和一帮朋友搞了个“Horror Show”(恐怖电影观赏会)，布置影院的时候找到一盘年份已久的拷贝盘，于是他们观看了这部电影....在“Horror Show”放映的那一晚，影院发生了很多古怪的事，麦琪的朋友一个个遇难，到底是什么人要夺她性命？
范成玉
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
