产亚Successful businessman Jake takes his pregnant girlfriend Lindsey on a babymoon trip to an upscale desert resort. When they get there, Lindsey discovers that Jake's meddlesome soon to be ex-wife, Gwen is there too. In a dream vacation gone wrong, it becomes apparent that someone is determined that Lindsey will never use her return ticket.
俞静
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
回复 :1946年初，东北人民解放军一举歼灭 了国民党“千里驹”师，俘获了一批 将校级军官。某连指导员宋志刚奉命 率一个排，押送战俘通过敌我交界地 带前往辽东军区驻地。伪装成被俘士 兵的敌特工处长杨子鸣逃跑求援，被 俘的敌师长孙振戍则把一枚勋标丢在 路上，给前来救援的敌军指示方向， 并暗中指使部下无理吵闹、装病，以 便拖延时间。解放军指战员巧妙地制 服了无理取闹的战俘，并将勋标放到 另一条大道上，使救援的敌军走错了 路。当敌人的飞机前来侦察时，孙振 戍又企图用火给敌机发信号，其阴谋 又被及时识破。为能得到真实情况， 杨子鸣冒充解放军的伤员，打入解放 军内部，并与孙振戍密谋，指使一个 骑兵连抢占解放军必经之处双龙江大 桥。宋志刚将计就计，诱骗孙振戍写 信调守桥的骑兵连前来抢劫，并派侦 察排长刘春海冒充敌人去送信，将守 桥的敌骑兵连引入解放军包围圈。少 数战士乘机押送战俘，在县大队的接 应下，顺利通过大桥，进入解放军防 区。待敌骑兵连和援军发现时，大桥 已被解放军炸毁，他们束手无策，无法过河追击。
回复 :本片分为四个故事：《黑发》居住在京都的武士（三國連太郎 饰）厌倦了贫苦的生活，他抛弃妻子（新珠三千代 饰），与一个贵族小姐（渡辺美佐子 饰）结婚。然而现任妻子的冷酷让武士怀念起前妻的温柔贤淑，他再次与前妻相遇，结果却出人意料；《雪女》狂风暴雪的一日，青年（仲代達矢 饰）在山上邂逅美丽的雪女（岸恵子 饰）。雪女爱慕青年，饶他不死，但青年不得将这次相遇告知外人；《无耳芳一的故事》盲僧芳一（中村賀津雄 饰）的琵琶弹唱连鬼魂也分外欣赏，但经常与鬼接触势必折损阳寿，寺中的长老决定拯救芳一；《茶杯中》武士关内（中村翫右衛門 饰）喝茶时发现茶碗有一个陌生人的面孔，他打破茶碗，却引来了一个不速之客。本片根据小泉八云同名短篇小说改编，并荣获1965年戛纳电影节评委会特别奖、1966年每日电影最佳艺术指导和最佳摄影两项大奖。
