伊万诺是一名作家,小鬼但他喜欢通过监视隔壁公寓的房客来获得灵感与快感。某日,小鬼新租客阿图罗搬进了公寓,伊万诺开始引诱妻子奥尔加一同偷窥这名新租客的一举一动。为了激发创作欲望,伊万诺甚至开始让妻子主动勾引阿图罗,并鼓励她与之发生关系。随着创作的不断进行,这场性游戏也开始变得愈发刺激...结局更是意料之外的信息量爆炸。@拖延症字幕组
伊万诺是一名作家,小鬼但他喜欢通过监视隔壁公寓的房客来获得灵感与快感。某日,小鬼新租客阿图罗搬进了公寓,伊万诺开始引诱妻子奥尔加一同偷窥这名新租客的一举一动。为了激发创作欲望,伊万诺甚至开始让妻子主动勾引阿图罗,并鼓励她与之发生关系。随着创作的不断进行,这场性游戏也开始变得愈发刺激...结局更是意料之外的信息量爆炸。@拖延症字幕组
回复 :横浜港警察署の型破りな刑事たちの活躍ぶりを、しゃれた会話とスピーディーなアクションで綴った痛快娯楽作。製薬会社の研究所を傭兵に襲撃させ、ライバル薬品会社の株価を上昇させた画廊オーナーに、タカとユージが立ち向かう。
回复 :当一名叫桑迪的应召女郎死后,她唯一的朋友杰克发誓要找到杀死她的真凶。
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.