斗鸡，精品惨烈的博弈游戏，精品用生命筑构起光辉与荣耀，也让生命走向黑暗和毁灭，如同人在江湖，往往身不由己。程健军和张力扬从小一起长大，念完初中三后便无心向学，跟随斗鸡场的场主洪爷，做其小弟。斗技场势力庞大，两人在洪爷身边学到不少斗鸡的真功夫，也成为洪爷最得力的助手。程健军性格阴沉、冲动，为人冷酷无情，是洪爷的前锋打手；张力扬个性冷静有智谋，是洪爷所依赖的军师。两人跟随洪爷10年，程健军渐起取代洪爷的念头。而洪爷早就把张力扬视为接班人。程健军知道洪爷的心意，因此先发制人强行夺权，暗中部署了人马，在洪爷生日宴席当晚，与另一个对手梁王结盟逼迫洪爷让位，一连串阴谋慢慢开始浮出水面…
回复 :类子（板谷由夏 饰）和阿佐绪（高冈早纪 饰）是学生时代的好友，在那段值得纪念的青葱岁月里，两个女孩同时爱上了名叫正巳（村上淳 饰）男孩。正巳是一位沉迷于三岛由纪夫美学的文艺青年，他身上所散发出来的忧郁和内敛让类子和阿佐绪十分着迷。然而，为了维持自己同阿佐绪的友谊，类子选 择了将这段感情深深地埋藏在心底。一晃眼十年过去，很久没有联系的三人在阿佐绪的婚礼上重逢了，阿佐绪的丈夫，是一位比她大三十一岁的精神科医生。与此同时，一场车祸让正巳失去了性能力，他的人生因此陷入了低谷之中，而类子与正巳重逢后才发现，自己依然疯狂地爱着这个男人。
林叶亭
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
回复 :Nina和Madeleine是两位退休老人，也是深爱彼此数十载的恋人。在外人眼中，她们只是普通邻居，直到女儿无意中发现了她们的秘密……对于Nina和Madeleine来说，爱情是生活必需品，是野性的，是冲动的。年龄没有扑灭她们炽热的爱情火焰，或许正相反。本片以老年拉拉这个经常被忽视的群体为着眼点，以情感的方式探讨在生命的尽头，她们如何面对疾病、家庭和爱……@悸花字幕组
