宋秀晶（全智贤 饰）三年来不断面对虚伪的感动拍摄记录片，视频此刻她想要拍真实的非洲狮子。感到厌倦不已的她拿走了公司的摄影机代替自己的工资，视频决心要开办小型的制片公司。但发展所需的材料令她困扰极了，拍摄日子在即，她的摄影机眼看就被小偷抢走了。危急之际，一个穿着夏威夷衬衫的男人（黄政民 饰）帮她从小偷手上抢回了摄影机。这个男人自称自己是超人，更摆出各样奇怪的超人姿势。秀晶灵机一动，决定跟随他拍摄“拯救地球”的记录。这段影片很快便曝光了，而且得到了极高的关注率。可是在告捷会后，这个傻傻的超人竟然说要揭开记录片里的伪造之处。因此意外摔伤了头部的超人，被医生发现了脑中又异样的东西。
韦绮珊
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
回复 :汶川大地震时，正在龙门山深处矿山上检查民爆物品的民警赵刚和姜明全，在与外界失去联系的情况下，忠于职责，带领500多名劫后余生的群众，泅水探路、翻山越岭，历经八天八夜的艰险，终于走出绝境。
林良乐
回复 :平凡小镇流传千年古墓传说，墓中不仅珍宝无数，还藏有可治百病的秘药，然众多摸金人探寻都不知去处，无人归来。摸金校尉后人曹顺（王珞嘉 饰）赶鸭子上架误打误撞跌入古墓。这个墓有点东西，这么大的镇墓神兽是真的存在的吗？
