长日悠悠、春暖穷极无聊的午后，春暖光影慵懒、枝树婆娑，没来由的花，没来由的出现，女人又一次没由来的尾随，在转角出削翳的神秘人影。午后的长眠，假释了潜意识所有的梦魇，飞悬在空中的女人，瞥见躺在椅上、沉睡中的自己。由女人口中吐出了钥匙，钥匙又变成利刃，...二十世纪最有影响力的实验电影之一。由Deren 本人和丈夫 Alexander Hammid出演剧中所有角色。这部女性主义的经典描述了一个女性的白日梦，在梦中日常生活物品都变得神秘而危险，电影转向对性与死的晦涩思考。
常小婧
回复 :肯尼迪的遇刺成为了一桩美国历史上的悬案，电影重新审视了那一段历史，到底杀手是一个普通人，还是整个庞大的政治阴谋，真相和幻象，都在调查中渐渐露出端倪。总统遇刺的两小时内，官方认定的凶手即被逮捕，他就是里·哈威·奥斯瓦多。然而巧合的是，在随后的一个小时，这个嫌疑犯却火速被 一名流氓杀死。经过调查，官方还是认定里·哈威·奥斯瓦多为真凶。但是，三年后的一个美国地方检察官吉姆·加里森（凯文·科斯特纳 Kevin Costner 饰），却发现肯尼迪中弹的蹊跷，从而推测当年官方的误判，接下来，他的侦查牵连着一个历史上的惊天阴谋。
回复 :中国西南、与世隔绝、群山环抱中有个寨子，是个人皆长寿、规矩自成之地，清时皇帝赐名“长寿镇”。某日突爆传染病，地方官派医生（任达华 饰）前往诊治，他在镇子外发现奄奄一息的牛结实（黄渤 饰）。进寨后，往日温厚的村民一反常态，不仅对牛结实拒施援手、避若瘟疫，更迁怒于医生多 管闲事，老镇长（马精武 饰）亲自带着长寿镇医生（苏有朋 饰）和接生婆（梁静 饰）、油漆匠，老族长等人千万百计的阻挠医生对牛结实的救援，牛结实最终没能被救活，医生也找不到此人暴毙的原因。镇民们对医生的不欢迎不合作态度，令医生很沮丧，正当他准备离开的时候，无意中发现了一个被全镇民众一起隐藏在山崖上的一个秘密，带着重重疑惑医生决定暗中走访长寿镇，直到他偶遇一个男孩，长寿镇迷案的真相才一步步揭开……该片改编自陈铁军的中篇小说《儿戏杀人》。
三声缘
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
