黑人查理感到手足无措。在他遥远的王国里,河南白人法律的干涉令他感到生活变得更加困难了。于是查理下定决定,河南要按照古老的方式生活,但是他这样的做法给他和周围的人带来了一系列意想不到的后果。
黑人查理感到手足无措。在他遥远的王国里,河南白人法律的干涉令他感到生活变得更加困难了。于是查理下定决定,河南要按照古老的方式生活,但是他这样的做法给他和周围的人带来了一系列意想不到的后果。
回复 :影片主要讲述了心存梦想的刘小二终于开始了自己憧憬过无数遍的大学生活,五个来自天南地北不同性格,习惯和家庭背景的女孩凑到了一起,开始了有欢笑和泪水,有梦想的大学时光。性格外向的班长吴静喜欢上了同班的坏小子肖张并展开了一系列的追求。但肖张却发现自己爱上了刘小二而拒绝了吴静的示爱,自尊心极强的吴静由此对昔日的好闺蜜,好室友刘小二万般排挤,带头孤立她。导致刘小二因为种种压力选择了退学....
回复 :与Stefan Uher和Elo Havatta一样,Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》(1964)《尼绒月亮》(1965)和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
回复 :故事发生在解放初期,经过艰苦奋斗,新中国终于建立起来,然而在我国边陲的深山老林仍有国民党残余势力以及根深蒂固的土匪团伙割据一方,为非作歹,妄图颠覆我党的政权。西南边陲某个馒尼族人聚集的格黑寨正是匪患严重的典型。为了摸清并清除匪患,解放军某部派出侦察连,莽勒戈和果沙乔装打扮接近当地人,谁知却遭到匪徒袭击,关键时刻莽勒戈被偷偷跟来的儿子救下。父子俩所掌握的秘密情报关系着任务的成败,他们将用生命来捍卫它,无论遭遇怎样的艰难险阻和血肉折磨……本片根据李迪小说《这里是恐怖的森林》改编