剧情简介
一个南方海岛上的王子因涉嫌谋杀而被小刀贯心处死，老湿尸体被装进一副树桩埋进地下。但是，老湿由于岛上存在辐射，王子和树桩融合成怪兽，并开始向指控他谋杀的人复仇……
老湿电影院体检区18
一个南方海岛上的王子因涉嫌谋杀而被小刀贯心处死，老湿尸体被装进一副树桩埋进地下。但是，老湿由于岛上存在辐射，王子和树桩融合成怪兽，并开始向指控他谋杀的人复仇……
薰妮
回复 :Peat有个幸福的一家三口之家，可爱的女儿让她在社交平台上也小有名气。有天女儿意外走丢了，Peat四处贴寻人启事、上节目都没有办法找到女儿的踪迹。直到有天警察告诉她，疑似找到了女儿的衣物，通过化验DNA也曝光了一个惊天的秘密：女儿的DNA和丈夫是不符的。这说明了什么，大家都心照不宣。所有人包括丈夫都告诉Peat停止寻找女儿，女儿已经死了。Peat作为母亲的直觉不愿相信自己女儿已经死了，为了寻找女儿自己去接触如何用枪、雇了一个私家侦探调查，然而真相的背后却比自己想象的还要复杂，也把他们带入了一个危险的境地……
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
回复 :9岁的Ted和爸爸在公路边经营着一间小旅馆，缺少同龄玩伴的他倍感寂寞，整日在附近游荡，心中计划着着离开这个小地方的计划……
