剧情简介
以实验电影闻名海外各大电影节的知名导演辉旭（朴智勋 饰），日韩为了拍摄以舞蹈为主题的新作品，日韩将与新人演员诗映（金允慧 饰）、彩允（宋伊才 饰）一起在废弃学校的屋顶上进行拍摄。以破格、粗暴的舞蹈动作开始进行拍摄后，演员和制作人们被一股神秘力量吞噬，拍摄现场瞬间陷入惨不忍赌的情况。「活尸苏醒了！」面对不该醒来的存在，他们的命运将会如何……
日韩欧美第一页
以实验电影闻名海外各大电影节的知名导演辉旭（朴智勋 饰），日韩为了拍摄以舞蹈为主题的新作品，日韩将与新人演员诗映（金允慧 饰）、彩允（宋伊才 饰）一起在废弃学校的屋顶上进行拍摄。以破格、粗暴的舞蹈动作开始进行拍摄后，演员和制作人们被一股神秘力量吞噬，拍摄现场瞬间陷入惨不忍赌的情况。「活尸苏醒了！」面对不该醒来的存在，他们的命运将会如何……
鲁昕儿
回复 :约翰专为《启示杂志》揭露一些所谓闹鬼的故事，调查完艾米提别墅后，他决意搬进这座传闻中的鬼屋，他本来坚决不信世界上有鬼，但从此与这座有关联的人相继离奇惨死，包括他的女儿和搭档，约翰无奈之下被迫请精神博士到家驱鬼……
杨芳仪
回复 :When his girlfriend goes missing, David must track down her whereabouts after he realizes she's not who she was pretending to be.
成侑彬
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
