剧情简介
周小敏（周慧敏饰）一直梦想成为一名歌手，毛驴以实现亡母的心愿。与哥哥Sam（邵仲衡饰）相依为命。经朋友小圣子（赵继纯饰）介绍认识了周伟忠（郭耀明饰）及阿标（朱永龙饰），毛驴两个男孩都对小敏一见钟情。知道了小敏的梦想后，阿标他们几个愿意自己出钱让小敏出唱片，却因为与录音师发生争执导致小敏失明。当知道朋友们的举动后，小敏愤然离开后遭到绑架，原来是毒贩想在Sam的酒吧中兜售毒品，企图绑架小敏来威胁Sam。
毛驴县令之五官争功
周小敏（周慧敏饰）一直梦想成为一名歌手，毛驴以实现亡母的心愿。与哥哥Sam（邵仲衡饰）相依为命。经朋友小圣子（赵继纯饰）介绍认识了周伟忠（郭耀明饰）及阿标（朱永龙饰），毛驴两个男孩都对小敏一见钟情。知道了小敏的梦想后，阿标他们几个愿意自己出钱让小敏出唱片，却因为与录音师发生争执导致小敏失明。当知道朋友们的举动后，小敏愤然离开后遭到绑架，原来是毒贩想在Sam的酒吧中兜售毒品，企图绑架小敏来威胁Sam。
李翊君
回复 :Haunted by the memory of Walter Holderlin, a soldier he killed during World War I, French musician Paul Renard (Phillips Holmes) confesses to a priest (Frank Sheridan), who grants him absolution. Using the address on a letter he found on the dead man's body, Paul then travels to Germany to find his family.As anti-French sentiment continues to permeate Germany, Dr. Holderlin (Lionel Barrymore) initially refuses to welcome Paul into his home, but changes his mind when his son's fiancée Elsa identifies him as the man who has been leaving flowers on Walter's grave. Rather than reveal the real connection between them, Paul tells the Holderlin family he was a friend of their son, who attended the same musical conservatory he did.Although the hostile townspeople and local gossips disapprove, the Holderlins befriend Paul, who finds himself falling in love with Elsa (Nancy Carroll). When she shows Paul her former fiancé's bedroom, he becomes distraught and tells her the truth. She convinces him not to confess to Walter's parents, who have embraced him as their second son, and Paul agrees to forego easing his conscience and stays with his adopted family. Dr. Holderlin presents Walter's violin to Paul, who plays it while Elsa accompanies him on the piano.The film's original title, The Man I Killed, was changed to The Fifth Commandment to avoid giving "wrong impressions in the minds of the public about the character of the story." It ultimately was released as Broken Lullaby.
回复 :与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
林晓峰
回复 :澳大利亚黑帮喜剧，有些类似两杆大烟枪，2003年澳大利亚影评人协会十四项提名，获得最佳男主角(指环王中Faramir的扮演者)。假释出狱的Barry想重新开始生活，但正如瘾君子Johnny、改行开餐馆的黑帮老大Dabba一样，他发现这是一条艰难的路......
