马拉松视频
地区:英国
  类型:恶搞
  时间:2025-07-17 00:58:05
剧情简介

故事发生在20世纪30年代的巴黎,马拉经济的不景气让所有人都陷入了财政危机之中,马拉曾经大放异彩的娱乐业也因此走向穷途末路。穷困潦倒的女子维多利亚(朱丽·安德鲁斯 Julie Andrews 饰)在一次偶然之中被陶德(罗伯特·普雷斯顿 Robert Preston 饰)相中,陶德看中了她英姿飒爽的气质,让她假扮成男性,再以男性的身份女装,以满足某些人群的嗜好。就这样,维多利亚以维克多的名字出道了,哪知道她刚柔并济雌雄莫辩的形象很快就火便了整个城市,就连夜总会大亨马尔尚(詹姆斯·加纳 James Garner 饰)也不禁被维克多深深吸引,他怎么都弄不明白,维克多身为一名“男性”,究竟是如何将女性气质模仿的惟妙惟肖的。

31次播放
5596人已点赞
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明星主演
蒋大为
亥儿乐队
林琳
最新评论(733+)

金在中

发表于1分钟前

回复 :曾经和平富饶的国度阿拉盖西亚,如今陷在邪恶国王(约翰·马尔科维奇 John Malkovich 饰)的暴政统治下,期待神灵解救敢怒不敢言的人民。一日,农家少年伊拉贡(艾德·斯皮尔斯 Ed Speleers 饰)在林中拾获一枚奇石,不想竟是一枚龙卵,孵出一只蓝色飞龙。伊拉贡为小龙取名“萨菲拉”,遇到先知布鲁姆(杰瑞米·艾恩斯 Jeremy Irons 饰)后,才明白这是一场怎样的机缘——曾经守护这片土地的龙骑士应该回来了,带领人民找回自由。在布鲁姆的指导下,伊拉贡开始学习剑术和驭龙技巧,慢慢从一个普通少年成长为担当重任的龙骑士,前路危险重重,前路通向光明……本片根据同名小说改编而成,是《遗传三部曲》中的第一部。


洪敬尧

发表于6分钟前

回复 :1962年,Curt Henderson(理查德·德莱弗斯 Richard Dreyfuss 饰)、Steve Bolander(朗·霍华德 Ron Howard 饰)、John Milner(保罗·勒马特 Paul Le Mat 饰)还有Terry "The Toad" Fields(查尔斯·马丁·史密斯 Charles Martin Smith 饰)四个普通的青年在晚上相聚,为即将去外地读大学的Curt和Steve送别。Steve把他的汽车借给了Toad,Toad需要这辆车去寻找他的爱情。Curt开车在马路上,听到一个金发女郎对他说“I love you!”,他急切想找到这个女人,却在路上让另一个女孩上了他的汽车。而Steve也在忙着处理和女友Laurie(辛迪·威廉姆斯 Cindy Williams饰)的关系。John 则准备和另一个人赛车。Toad则认识了另一个美女Debbie(坎迪·克拉克 Candy Clark 饰),两人把车开到了郊外,却意外把车给丢了......在这个夜里,这四个青年的活动为我们展现了六十年代初美国人的精神和生活状态。本片被提名当年奥斯卡最佳影片,最佳导演和最佳女配角等几个奖项。


曹诚模

发表于1分钟前

回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.


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