杰克（伊安·邦纳 Ian Bannen 饰）和麦克（大卫·凯利 David Kelly 饰）做了一辈子的朋友了，法内彼此之间友谊十分的坚实。两人最大的梦想，法内就是能够赢得乐透大奖，从此过上不劳而获的生活，可惜这个梦想离他们似乎有点远，也并不太可能通过努力来实现。一天，当乐透公司宣布了中奖号码后，杰克和麦克震惊的发现，获奖者就住在他们所在的小镇之上，然而，并没有人站出来领奖。经过了细心的排查，杰克和麦克将获奖者的目标锁定在了一个名叫奈德（Jimmy Keogh 饰）的老头身上，当他们赶到奈德家时，却发现他因为兴奋过渡已经死了。一个疯狂的念头出现在了两人的脑海里，他们决定冒充奈德的身份，领取这笔奖金。
李宇春
回复 :韩国秘密核武器神秘失踪，同时载着军方手提装置的飞机在中国境内坠毁。韩方接到消息，一名疑似绰号“赤道”的危险人物（张震 饰）带着助手“信差”（文咏珊 饰）将于香港实行秘密武器交易，韩国武器专家崔民号（池珍熙 饰）与特工朴宇哲（崔始源 饰）奉命前往调查。香港反恐特勤组主管李彦 明（张家辉 饰）与督察范家明（余文乐 饰）协助韩方寻找武器，而核物理教授肇志仁（张学友 饰）也受邀协助判案。武器很快被寻回，没想到竟还隐藏着潜在危机。正当香港及韩国警方决定送还武器回韩国之际，大陆安全局高管（王学圻 饰）带着助手袁小姐（冯文娟 饰）突然出现，三方陷入周旋之中，原来“赤道”另有其人，而他们一伙儿的阴谋也开始实施……
回复 :杰克（伊安·邦纳 Ian Bannen 饰）和麦克（大卫·凯利 David Kelly 饰）做了一辈子的朋友了，彼此之间友谊十分的坚实。两人最大的梦想，就是能够赢得乐透大奖，从此过上不劳而获的生活，可惜这个梦想离他们似乎有点远，也并不太可能通过努力来实现。一天，当乐透公司宣布了中奖号码后，杰克和麦克震惊的发现，获奖者就住在他们所在的小镇之上，然而，并没有人站出来领奖。经过了细心的排查，杰克和麦克将获奖者的目标锁定在了一个名叫奈德（Jimmy Keogh 饰）的老头身上，当他们赶到奈德家时，却发现他因为兴奋过渡已经死了。一个疯狂的念头出现在了两人的脑海里，他们决定冒充奈德的身份，领取这笔奖金。
史黛芬妮
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
